
Post (1995)
滚石 500(2020) #289滚石 500(2003) #373
- 艺人
- 比约克
- 发行
- 1995-06-09
- 类型
- 专辑
- 唱片公司
- One Little Independent Records
- 制作人
- Howie B、比约克、奈利·胡柏
- 版本
- MusicBrainz 上有 31 个发行版本
曲目
- 1Army of Me3:54
- 2Hyper‐Ballad5:21
- 3The Modern Things4:10
- 4It’s Oh So Quiet3:39
- 5Enjoy3:57
- 6You’ve Been Flirting Again2:30
- 7Isobel5:47
- 8Possibly Maybe5:07
- 9I Miss You4:04
- 10Cover Me2:06
- 11Headphones5:40
11 首 · 约 46 分钟 · 依据 1995-06-13 US 发行的版本,在 MusicBrainz 看这个版本。
介绍
这个词条没有中文维基百科条目,下面是英文维基百科的原文。
Post is the second studio album by Icelandic singer Björk. It was released on 12 June 1995 by One Little Indian Records. Continuing the style developed on her first album Debut (1993), Björk conceived of Post as a bolder and more extroverted set of songs than its predecessor, featuring an eclectic mixture of electronic and dance styles such as techno, trip hop, IDM, and house, alongside that of ambient, jazz, industrial, and experimental music. Björk produced Post herself with co-producers including Nellee Hooper, 808 State's Graham Massey, and former Massive Attack member Tricky. She wrote most of the songs after moving to London and intended the album to reflect her new life in the city.
The album reached number one in Iceland, number two in the United Kingdom and number 32 in the United States. It was certified gold in New Zealand and Sweden, and platinum in Australia, Canada, the US, and the UK. Six singles were released: "Army of Me", "Isobel", "It's Oh So Quiet", "Hyperballad", "Possibly Maybe", and "I Miss You", with three reaching the UK top 10. Their accompanying music videos were noted for their surrealism, themes of nature and technology, and artistic development of the medium. A remix album titled Telegram was released in 1996.
During Post's commercial peak, Björk was affected by promotional touring and media attention. She assaulted a reporter and survived a murder attempt. Björk would relocate to Spain away from the press and produce her next album, Homogenic (1997). Considered an important exponent of art pop, Post has been praised by critics for its ambition and timelessness. It was named one of the greatest albums of 1995 by numerous publications, and has since been named one of the greatest albums of all time by publications including Entertainment Weekly and Rolling Stone.
Recording and production
Björk released her previous studio album Debut in 1993. At that time, she had moved to London. The production of Debut was "long and laborious", as Björk sought to fully realise the songs she wrote from the past. After its release, she began to look for new ideas in the present for her next album. She contacted producer Nellee Hooper who had worked with her on Debut. He initially encouraged her to produce the album herself, but agreed when she insisted. Björk agreed to co-produce with other enlisted producers; "to make it stay fresh, she had to think about other people being involved". With Hooper's confirmation, Björk commenced work on the album in late 1994 at the Compass Point Studios in Nassau. The picturesque locale inspired Björk to meld the recording process with the exotic natural environment. For example, Björk waded into the ocean and recorded vocals while the sun set, captured by a digital recorder powered by a generator on the beach. The first version of "Cover Me" was recorded entirely from a cave.
Björk incorporated songs she had written in Manchester with 808 State's Graham Massey before the recording of Debut. These included "Army of Me" and "The Modern Things", which she had performed live and did not need to be extensively changed. Björk said she left "Army of Me" off Debut as she felt Debut "was a more gentle energy and Post was more raw, more brutal". Massey said: "With 'Army of Me' we wanted to try something that was quite hard and techno-y. I'm not sure how she wrote those lyrics so fast but I remember that song being almost instantaneous. [...] We kind of knocked that off in one day and then started on 'The Modern Things' the same day and finished that the next."
Although the album was supposed to be delivered the day after she returned from the Bahamas, Björk felt it was not yet complete and continued its production in London. She enlisted a new team of engineers and programmers, and spent the next months "tweaking, rearranging, and sometimes completely rerecording her pre-existing tracks". Ultimately, it was the inclusion of more "real" instruments that "resuscitated Post for Björk". Björk continued to compose songs such as "Isobel", which was created while she was visiting Reykjavík for Christmas, before bringing it back to Hooper's studio. The song's lyrics were written in collaboration with Icelandic poet Sjón, which was his first songwriting experience. Sjón would become a frequent collaborator throughout Björk's career. She also enlisted trip hop artist Tricky to assist in producing the album, on the condition that he would work on two tracks on her album and she would contribute two vocals for his album. Their collaboration resulted in the Post songs "Enjoy" and "Headphones"—in addition to "Keep Your Mouth Shut" and "Yoga", which appeared on Tricky's 1996 studio album, Nearly God.
正文摘自英文维基百科「Post (Björk album)」,按 CC BY-SA 4.0 使用;删去了参考文献、外部链接、表格和图片;篇幅所限只节选了前面一部分,全文见原条目。
资料卡
- 作品性质
- 音乐专辑
- 表演者
- 比约克
- 发行日期
- 1995 年
- 录音地点
- 方位点录音室
- 流派
- Trip hop
- 语言
- 英语
- 唱片公司
- One Little Independent Records
- 制作人
- Howie B、比约克、奈利·胡柏
资料来自 Wikidata Q1347624(CC0)。
制作名单
- 厂牌
- Elektra(目录号 61740-2)、BMG Direct Marketing, Inc.(目录号 D108919)
制作
- 制作人
- 比约克、Nellee Hooper(第 1、2、3、4、7、8 首)、Graham Massey(第 1、3 首)、诡计(第 5、11 首)
- 编程
- Marius de Vries(第 1、2、3、7、8 首)、Graham Massey(第 1、3 首)、Lenny Franchi(第 5、11 首)、诡计(第 5、11 首)
- 助理工程师
- Oswald Bowe(第 2、3、7、8 首)、Adrian Scarff(第 2、6、7、11 首)、Kirsten Cowie(第 2、6、7 首)、Niall Acott(第 4、10、11 首)、Nick Kirkland(第 5、9、10 首)、Mark Warner(第 2、3 首)、Jon P.(第 5、11 首)
- 录音
- Howie B(第 2、3、7、9 首)、Steve Price(第 2、4、6、7 首)、Lenny Franchi(第 5、7、11 首)、Alan Fisch(第 1、3 首)
- 混音
- Markus Dravs(第 5、6、10、11 首)、Al Stone(第 2、3、7 首)、Mark “Spike” Stent(第 1、2 首)、Howie B(第 8、9 首)
演奏与演唱
- 键盘
- 比约克(第 1、2、3、7、8、11 首)、Marius de Vries(第 1、2、3、7、8 首)、Graham Massey(第 1、3 首)
- 演唱
- 比约克(第 2、3、5、9、10、11 首)
- 主唱
- 比约克(第 1、4、6、7 首)
- 指挥
- 犹米勒·德奥达托(第 2、6、7 首)
- 大提琴
- Anthony Pleeth(第 2、6、7 首)
- 中提琴
- Robert Smissen(第 2、6、7 首)
- 风琴
- 比约克(第 5、9 首)
- 演奏
- John Altman(第 4 首)、John Barclay(第 4 首)、Alan Barnes(第 4 首)、Pete Beachill(第 4 首)、Stuart Brooks(第 4 首)、Simon Chamberlain(第 4 首)、Simon Gardner(第 4 首)、Colin Green(第 4 首)、Malcolm Griffiths(第 4 首)、Connie Hughes(第 4 首)、Paul Morgan(第 4 首)、Ralph Salmins(第 4 首)、Steve Saunders(第 4 首)、Neil Sidwell(第 4 首)、Bill Skeat(第 4 首)、Ray Swinfield(第 4 首)
词曲与编曲
- 作曲
- 比约克(其中 9 首)、Graham Massey(第 1、3 首)、诡计(第 5、11 首)
- 作词
- 比约克(其中 9 首)
- 词曲
- 比约克(第 1、3、5、7、9、11 首)、Graham Massey(第 1、3 首)、诡计(第 5、11 首)
- 编曲
- Gavyn Wright(第 2、6、7 首)、John Altman(第 4 首)
- 器乐编曲
- 犹米勒·德奥达托(第 2、6、7 首)、比约克(第 6、7 首)
名单来自 MusicBrainz(CC0)这一发行版本的关系数据,由志愿者录入,不一定齐全,人数太多只列了前面一部分。
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