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Ministry is an American industrial metal band founded in Chicago, Illinois, in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole remaining original member. Musicians who have contributed to the band's studio and/or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia, Tommy Victor and Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison, Roy Mayorga, Pepe Clarke and Aaron Rossi, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.

Ministry attained commercial success during the late 1980s and early 1990s with three of their studio albums: The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69 (1992). The first two were certified gold while Psalm 69 was certified platinum by the RIAA. Psalm 69 was followed by Filth Pig (1996), which was a stylistic departure for the band, and earned Ministry its highest chart position on the Billboard 200 at number nineteen, although it was met with mixed reception by critics and marked the beginning of the band's commercial decline. The lackluster response to their next album, Dark Side of the Spoon (1999), resulted in Warner Bros. dropping Ministry from the label and the group entered an extended hiatus during the early 2000s, when Jourgensen entered rehab after years of substance abuse.

Following Jourgensen's recovery, Ministry resurfaced in 2003 with Animositisomina, which turned out to be their last album with Paul Barker, who would leave the band the same year after nearly two decades as an official member. Ministry returned to the thrash/industrial style of Psalm 69 and released three albums critical of then-President of the United States, George W. Bush, dubbed the "Bush Trilogy": Houses of the Molé (2004), Rio Grande Blood (2006) and The Last Sucker (2007); these albums effectively revitalized the band's commercial viability. Although The Last Sucker was initially intended to be the band's final album, Ministry reformed in 2011 and released Relapse in the following year. On December 23, 2012, longtime guitar contributor Mike Scaccia died of a heart attack, and he was posthumously featured in the next Ministry album, From Beer to Eternity (2013), which was again supposed to be their last album, as Jourgensen thought his death was the end of the band. However, Ministry has since released four more albums, AmeriKKKant (2018), Moral Hygiene (2021), Hopiumforthemasses (2024) and Hate to Go – Take Out or Delivery (2026). The band is set to disband after a final world tour in 2027.

Ministry has been nominated for six Grammy Awards and has performed at several music festivals, including the second annual Lollapalooza tour in 1992, co-headlining Big Day Out in 1995 and performing at Wacken Open Air four times (in 2006, 2012, 2016 and 2025).

History

Formation and early days (1981–1982)

Ministry's origins date to 1978, when Jourgensen moved from Denver to Chicago to attend the University of Illinois. He was introduced to the local underground scene by his then-girlfriend, and in 1979 he replaced Tom Hoffmann on guitars in Special Affect, a post-punk group which featured vocalist Frank Nardiello (Groovie Mann of My Life with the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson. Following Special Affect's split in 1980, Jourgensen formed a short-lived band called the Silly Carmichaels, which featured members of the Imports and played two shows.

In 1981, Jourgensen met Jim Nash and Danny Flesher, co-founders and co-owners of the indie record label and shop Wax Trax! Records who recommended him as a touring guitarist for Divine. After playing a few concerts with the latter, Jourgensen began to write and record songs in his apartment, using a newly bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder. He presented a demo to Jim Nash, who suggested Jourgensen record a single and form a touring band, which Jourgensen decided to call Ministry.