Burning Spear

Winston Rodney OD (born 1 March 1945), better known by the stage name Burning Spear, is a Jamaican roots reggae singer-songwriter, vocalist, and musician. Burning Spear is a Rastafarian and one of the most influential and long-standing roots artists to emerge from the 1970s.

Early life

Winston Rodney was born in Saint Ann's Bay, Saint Ann, Jamaica. He is married to Sonia Rodney. As a young man he listened to the R&B, soul and jazz music transmitted by the US radio stations whose broadcasts reached Jamaica. Curtis Mayfield is cited by Rodney as a major US musical influence along with James Brown. Rodney was deeply influenced as a young man by the views of the political activist Marcus Garvey, especially with regard to the exploration of the themes of Pan-Africanism and self-determination. In 1969, Bob Marley, who was also from Saint Ann, advised Rodney to approach Coxsone Dodd's Studio One label after Rodney sought his advice during a casual conversation.

Career

Burning Spear was originally Rodney's group, named after a military award given by Jomo Kenyatta, the first President of an independent Kenya, and included bass singer Rupert Willington. The duo auditioned for Dodd in 1969 which led to the release of their debut single "Door Peep" (the session also included Cedric Brooks on saxophone). They were then joined by tenor Delroy Hinds. The trio recorded several more singles for Dodd, and two albums, before leaving Studio One in 1974. Rodney later became disillusioned with both the label and the Jamaican music industry, returning to his native Saint Ann, where he worked as a farmer. In early 1975, he began working with Jack Ruby, operator of the Ocho Rios–based Hi-Power sound system. Their first recording with Ruby, "Marcus Garvey", was intended as an exclusive track for Hi-Power, but was released as a single, giving them an immediate hit, and was followed by "Slavery Days". These recordings featured the backing band The Black Disciples, which included Earl "Chinna" Smith, Valentine Chin, Robbie Shakespeare and Leroy Wallace. The group worked with Ruby on their third album, Marcus Garvey (1975), which was immediately successful and led to a deal with Island Records to give the album a wider release. Island remixed and altered the speed of some of the tracks, much to the annoyance of fans and the group, leading Rodney to set up his own Burning Music label for future releases where he would have full control, although further releases followed on Island including Garvey's Ghost, a dub version of the Marcus Garvey album, and Man in the Hills. In late 1976, Rodney split from both Ruby and group members Willington and Hinds, and from that point on used the name Burning Spear for himself alone. Dry and Heavy followed in 1977, self-produced but still on Island, and with a sizeable following by now in the United Kingdom, he performed in London that year with members of Aswad acting as his backing band for a sold-out show at the Rainbow Theatre, which was recorded and released as the album Live!. Aswad also provided backing on his next studio album, Social Living (1978), which also featured Sly Dunbar and Rico Rodriguez. A dub version of the album, Living Dub (1979), was mixed by Sylvan Morris. His profile was raised further by an appearance in the film Rockers, performing "Jah no Dead".

In 1980, Rodney left Island Records and set up the Burning Music Production Company, which he signed to EMI, debuting on the label with Hail H.I.M., recorded at Marley's Tuff Gong studio and co-produced by Aston Barrett. A Sylvan Morris dub version followed in the form of Living Dub Volume Two. In 1982, Rodney signed with Heartbeat Records with a series of well-received albums following, including the 1985 Grammy-nominated Resistance. He returned to Island in the early 1990s, releasing two albums before rejoining Heartbeat. This arrangement in which Burning Music Productions delivered completed albums of music to EMI, Island and Heartbeat Records for worldwide distribution lasted for many years. When Heartbeat ceased releasing new material, Burning Music took matters into their own hands and began to release music solely through their own imprint. Albums released by Heartbeat through an agreement with Burning Music include: The World Should Know (1993), Rasta Business (1995), and Appointment with His Majesty (1997).

Burning Spear spent decades touring extensively, and several live albums have been issued including Burning Spear Live, Live in Paris, Live in South Africa, Live in Vermont, Peace and Love Live, Live at Montreux Jazz Festival and (A)live 1997. Touring the world time and time again, the band's live sound matured and grew more sophisticated. While remaining firmly rooted in reggae, accents of free jazz, funk and psychedelic music were increasingly in evidence.