阿拉巴马州颤抖乐团

Alabama Shakes is an American rock band formed in Athens, Alabama, in 2009. The band consists of lead singer and guitarist Brittany Howard, guitarist Heath Fogg, and bassist Zac Cockrell.

The band began its career touring and performing at bars and clubs around the Southeastern United States for two years while honing its sound and writing music. They recorded their debut album, Boys & Girls, with producer Andrija Tokic in Nashville while still unsigned. Online acclaim led ATO Records to sign the band, which released Boys & Girls in 2012 to critical success. The album's hit single, "Hold On", was nominated for three Grammy Awards. After a long touring cycle, the band recorded its second record, Sound & Color, which was released in 2015, debuted at number one on the Billboard 200, and won them three Grammy Awards, including Best Rock Song for "Don't Wanna Fight". In 2018, the band won the Grammy Award for Best American Roots Performance for their rendition of "Killer Diller Blues" in the film The American Epic Sessions, bringing their Grammy total to four.

The group went on hiatus in 2018, and Howard embarked on a solo career. On December 18, 2024, the band reunited for a surprise performance at the Bama Theatre in Tuscaloosa. On January 27, 2025, the band posted on Instagram that they were working on new music, and in February, they announced a reunion tour scheduled from July to September 2025. The band's third album I Must Be Dreaming, their first album in eleven years, was released on August 28, 2026.

History

2004–2009: Early years

Brittany Howard grew up interested in music, filling notebooks with lyrics and teaching herself to play drums, bass, and guitar.

Howard played in multiple bands at East Limestone High School that helped to formulate and craft her taste in music. Her most serious band in her early years was Kerosene Swim Team, a rock band that consisted of Owen Whitehurst and Jonathan Passero. They went on to have a single titled "Coffins and Cadillacs" featured on a compilation track from now defunct indie label Volital Records. They would practice daily after school in Passero's garage, Whitehurst's garage, and Howard's house. They mainly played house parties, and their songs consisted of a mix of covers and originals penned by Howard. Both Whitehurst and Passero continued playing backup for Howard, with Whitehurst playing with Howard and bassist Zac Cockrell in what would eventually become The Shakes. Whitehurst played drums and piano, with Howard and Cockrell playing their current respective instruments.

2009–2011: Formation

Howard met Heath Fogg in junior high when he played guitar at house parties. She met classmate and bassist Cockrell in a psychology class some time later, and they soon began to spend time listening to their favorite music together and writing their own. After graduation, Howard hosted twice-weekly jam sessions at her great-grandparents' former home. Drummer Steve Johnson, who had heard Howard singing at a party years prior, began attending the jam sessions at the suggestion of Cockrell. They began making music together and recording homemade demos having little else to do in the small town.

The group made its live debut in May 2009 under the name "The Shakes." Fogg, at this point a guitarist in the Athens-based Tuco's Pistol, invited the group to open for his band at Brick Deli & Tavern in Decatur. The band was nervous to perform for an audience, as they felt "vulnerable." Their set included covers of Led Zeppelin, James Brown, Otis Redding, and AC/DC. The show went over well, and Fogg soon joined the group. During this time, the band members held other day jobs: Howard as a fry cook and then a postal worker, Johnson at the Browns Ferry Nuclear Power Plant, Cockrell at an animal clinic, and Fogg painting houses. For much of their early years, the Shakes performed shows on weekends at "sports bars and country dives." They also began recording their debut album at Tokic's Bomb Shelter—the home of producer Andrija Tokic—in Nashville, funding the recordings themselves. The band chose Tokic's over other studios because they recorded mostly live to tape, and they believed it would spur a livelier performance. The band would complete arrangements in their hometown and drive an hour and a half north to Nashville to record in intervals over the course of 2011.