Cake

Cake (stylized as CAKE) is an American rock band from Sacramento, California, consisting of singer John McCrea, trumpeter/keyboardist Vince DiFiore, guitarist Xan McCurdy, bassist Daniel McCallum, and drummer Todd Roper. The band has been through many lineup changes but in all of them McCrea and DiFiore have been consistently in the band since the start. The band has also been noted for McCrea's droll sarcastic lyrics and deadpan vocals, and their wide-ranging musical influences, including norteño, country music, mariachi, disco, rock, funk, folk music, and hip-hop.

Cake was formed in August of 1991 by McCrea, DiFiore, Greg Brown (guitar), Frank French (drums), and Shon Meckfessel (bass) who soon left and was replaced by Gabe Nelson. Following the self-release of its debut album, Motorcade of Generosity, the band was signed to Capricorn Records in 1995 and released its first single, "Rock 'n' Roll Lifestyle", which hit number 35 on the Modern Rock Tracks music chart and was featured on MTV's 120 Minutes; French and Nelson then left the band, and were replaced by Todd Roper and Victor Damiani. Cake's second album, 1996's Fashion Nugget, went platinum on the strength of its lead single, "The Distance". Following a tour of Europe and the United States, both Brown and Damiani announced they were leaving Cake, which led to speculation about the band's future; McCrea eventually recruited Xan McCurdy to take over on guitar, and persuaded Nelson to return.

Prolonging the Magic, the band's third album, was released in 1998 and went platinum, having shipped over one million units featuring the single "Never There" which hit number 1 on the Modern Rock Tracks chart; this was followed three years later by Comfort Eagle, the band's first album on Columbia Records, featuring the single "Short Skirt/Long Jacket" which hit number 7 on the Modern Rock Tracks chart. Following a series of tours, including several versions of the Unlimited Sunshine Tour, the band released Pressure Chief in 2004, its second and last album on Columbia. After creating its own label, Upbeat Records, the band released Showroom of Compassion in 2011, which became its first album to debut at the top of the Billboard charts, selling 44,000 copies in the first week after release. Their studio output has been minimal since 2011, although they have continued to tour and have occasionally hinted at an upcoming album.

History

Formation and Motorcade of Generosity (1991–1996)

Cake was formed in 1991 when John McCrea, a Sacramento, California native who had moved to Los Angeles with a band only to see it "quickly crumble around him", returned to Sacramento. He began looking for a new band to play with, having "grown tired of Sacramento's coffeehouse circuit", and quickly attracted trumpet player Vince DiFiore, guitarist Greg Brown, bassist Shon Meckfessel, and drummer Frank French. All were active in the music scene at the time; DiFiore notes that "[McCrea] came back and stole us from other bands". The band soon came up with the name "Cake"; rather than referring to the food, the name is meant to be "like when something insidiously becomes a part of your life...[we] mean it more as something that cakes onto your shoe and is just sort of there until you get rid of it". They have also stated that they "liked the phonetic punch of the word." Meckfessel soon left to attend college and was replaced by Gabe Nelson. After touring and becoming part of the club scene in San Francisco, the band independently recorded and released Motorcade of Generosity in 1994, selling copies from their van as a method of paying touring expenses.

Motorcade was named one of the best indie releases of 1994 by Pulse!, and after a concert at the Great American Music Hall, Bonnie Simmons agreed to manage the band, leading to them signing a deal with Capricorn Records, who re-released the album in 1995. The first single, "Rock 'n' Roll Lifestyle", hit number 35 on the Modern Rock Tracks music chart and was featured on MTV's 120 Minutes. Critical reactions to the album were largely positive; Stephen Thompson in the Wisconsin State Journal described it as possessing "great lyrics, creative instrumentation and production that's about as simple as production gets", Thomas Conner praised it for being "soulful and smooth, witty and gritty, this record makes the ghosts of Bob Wills, Buddy Holly and Lou Reed smile" in the Tulsa World, and Matt Weitz in the Dallas Observer noted its "gimlet eye and sardonic humor". The album was eventually nominated for a Bammy Award in the category of "Outstanding Debut Album".