爱的魔咒 (1956)

"I Put a Spell on You" is a 1956 song recorded by "Screamin' Jay" Hawkins and co-written with Herb Slotkin. The selection became a classic cult song, covered by a variety of artists. It was Hawkins's greatest commercial success, reportedly surpassing a million copies in sales, even though it failed to make the Billboard pop or R&B charts.

Hawkins's recording of it was selected as one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was also included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)—and ranked No. 313 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.

Background

Hawkins had originally intended to record "I Put a Spell on You" as "a refined love song, a blues ballad". However, the producer Arnold Maxin "brought in ribs and chicken and got everybody drunk, and we came out with this weird version ... I don't even remember making the record. Before, I was just a normal blues singer. I was just Jay Hawkins. It all sort of just fell in place. I found out I could do more destroying a song and screaming it to death." His first wife Anna Mae Vernon later claimed that she wrote the song and let him take the credit.

Hawkins first recorded "I Put a Spell on You" as a ballad during his stint with Grand Records in late 1955. However, that version was not released at the time (it has since been reissued on Hawkins's UK Rev-Ola CD The Whamee 1953–55). The following year, Hawkins re-recorded the song for Columbia's Okeh Records—the notorious screaming version, which was released in October 1956. However, this version was banned from most radio programming for its outrageous "cannibalistic" style. A truncated version was later released omitting the grunts and moans from the ending of the song, but the ban generally remained. Despite the restriction, the record still sold over a million copies.

The hit brought Hawkins together with Cleveland disc jockey Alan Freed who promptly added him to his "Rock and Roll Revue". Up to this time, Hawkins had been a blues performer; emotional, but not wild. Freed suggested a gimmick to capitalize on the "demented" sound of "I Put a Spell on You": Hawkins wore a long cape, and appeared onstage by rising out of a coffin in the midst of smoke and fog. The act was a sensation, later bolstered by tusks worn in Hawkins's nose, on-stage snakes and fireworks, a cigarette-smoking skull named "Henry" and, ultimately, Hawkins transforming himself into "the black Vincent Price". This theatrical act was one of the first shock rock performances.

Personnel

• Vocals – Jalacy Hawkins
• Guitar – Mickey Baker
• Piano – Ernie Hayes
• Tenor saxophone – Sam "The Man" Taylor
• Baritone saxophone – Bud Johnson
• Bass – Al Lucas
• Drums – David "Panama" Francis
• Arrangement – Leroy Kirkland

Nina Simone version

Nina Simone's version, from her album of the same name, reached No. 120 Pop and No. 23 on the U.S. Billboard R&B chart in 1965; it also reached No. 49 on the UK singles chart that year, and No. 28 when it was reissued in 1969.

Alan Price version

Background and recording

In May 1965, shortly after the release of their single "Bring It On Home to Me", keyboardist Alan Price left pop group the Animals. The reason for his departure from the group has been debated; though some sources claim it was a fear of flying stemming from their American tours, others claim it was a feud between lead singer Eric Burdon and Price regarding royalties over their 1964 single "The House of the Rising Sun", which solely credited Price as an arranger thus leaving the other members without any payments for the song. Price himself states that he left the day the band embarked on a tour to Sweden. Price then decided on beginning a solo career while the Animals recruited a new keyboardist, initially Mick Gallagher for a short tour before settling on Dave Rowberry.

Price then started putting together a band of his own, which consisted of baritone saxophonist Clive Burrows, tenor saxophonist Steve Gregory, guitarist Peter Kirtley, bassist Rod Slade, drummer Roy Mills along with trumpeter John Walters, whom he had met during his time in the Animals. The band quickly garnered a recording contract with Decca Records and subsequently debuted on record with a cover of Burt Bacharach's "Any Day Now (My Wild Beautiful Bird)" in August 1965. Although this release failed to chart, it "showed great promise".