四尖乐队

The Four Tops is an American vocal group formed in Detroit, Michigan, in 1953 as the Four Aims. They were one of the most commercially successful American pop music groups of the 1960s and helped propel Motown Records to international fame. The group's repertoire has incorporated elements of soul, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes. Lead singer Levi Stubbs, along with backing vocalists Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together in the group for more than four decades, performing until 1997 without a change in personnel. Along with fellow Motown groups the Miracles, the Marvelettes, Martha and the Vandellas, the Temptations, and the Supremes, the Four Tops helped to establish the "Motown sound"; pop-friendly soul and R&B with a clean, polished production quality. They were notable for having Stubbs, a baritone, as their lead singer, whereas most other male and mixed vocal groups of the time were fronted by tenors.

The group was the primary male vocal group for the highly successful songwriting and production team of Holland–Dozier–Holland, who wrote numerous hit singles for Motown. These included two Billboard Hot 100 number-one hits for the Tops: "I Can't Help Myself (Sugar Pie Honey Bunch)" in 1965 and "Reach Out I'll Be There" in 1966. The group continued to chart singles into the 1970s, including the million-seller "Ain't No Woman" (1973). The Four Tops were inducted into the Rock and Roll Hall of Fame in 1990, the Vocal Group Hall of Fame in 1999, and the National Rhythm & Blues Hall of Fame in 2013. In 2010, Rolling Stone ranked them number 79 on its list of the "100 Greatest Artists of All Time".

On July 20, 2024, the last surviving original member, Fakir, retired. He died two days later.

History

Early years

All four members of the group began their careers together while they were high-school students in Detroit. At the insistence of their friends, Pershing High students Levi Stubbs and Abdul "Duke" Fakir performed with Renaldo "Obie" Benson and Lawrence Payton from Northern High at a local birthday party. The quartet decided to remain together and named the group the Four Aims. With the help of Payton's songwriter cousin Billy Davis, the Aims signed to Chess Records in 1956, changing their name to the Four Tops to avoid confusion with the Ames Brothers.

Over the next seven years, the Tops had unsuccessful tenures at Chess, Red Top, Riverside Records and Columbia Records. Without any hit records to their name, they toured frequently, developing a polished stage presence as an experienced supper club act, as well as supporting Billy Eckstine. In 1963, Berry Gordy, who had worked with Davis as a songwriter in the late 1950s, convinced the Tops to join the roster of his growing Motown record company.

Joining Motown

During their early Motown years, the Four Tops recorded jazz standards for the company's Workshop Jazz Records label. In addition, they sang backup on Motown singles by the Supremes ("Run, Run, Run", 1964), Martha and the Vandellas (on the 1966 hit "My Baby Loves Me") and others.

In 1964, Motown's main songwriting and production team, Holland–Dozier–Holland, created a complete instrumental track without any idea of what to do with it. They decided to craft the song as a more mainstream pop song for the Four Tops and proceeded to create "Baby I Need Your Loving" from the instrumental track. On its release in mid-1964, "Baby I Need Your Loving" made it to number 11 on the Billboard Hot 100.

The first follow-up single, "Without the One You Love (Life's Not Worth While)" (1964), just missed both the pop and R&B Top 40 charts, but "Ask the Lonely" (1965), written and produced by Motown A&R head William "Mickey" Stevenson with Ivy Jo Hunter, was a Top 30 pop hit and a Top 10 R&B hit in early 1965.

Success

After their first number 1 hit, "I Can't Help Myself (Sugar Pie, Honey Bunch)" in June 1965, the Four Tops released a long series of successful hit singles. Among the first wave of these hits were the Top 10 "It's the Same Old Song" (1965), "Something About You" (1965), "Shake Me, Wake Me (When It's Over)" (1966), and "Loving You Is Sweeter Than Ever" (1966).

Holland–Dozier–Holland wrote most of Stubbs' vocals in a tenor range, near the top of his range, in order to get a sense of strained urgency in his gospel preacher-inspired leads. They also wrote additional background vocals for a female group, the Andantes, on many of the songs, to add a high end to the low-voiced harmony of the Tops. Ivy Jo Hunter's "Loving You Is Sweeter Than Ever" (1966) was one of a few exceptions.