The Monks

The Monks (also known as Monks), were an American rock band formed in Gelnhausen, West Germany, in 1964. Assembled by five American GIs stationed in the country, the group grew tired of the traditional format of rock, which motivated them to forge a highly experimental style characterized by an emphasis on rhythm over melody, augmented by a heavy use of distortion.

The band blended shrill vocals, anti-Vietnam war lyrics, guitar feedback, and a six-string banjo into a sound that music critics later recognized as prefiguring the punk rock movement. The band's appearance was considered as shocking as their music, mimicking the look of Catholic monks by wearing black habits, cinctures, and styling medieval tonsure haircuts. Local newspapers at the time labelled the band "the anti-Beatles". In March 1966, they released their sole studio album, Black Monk Time, via Polydor Records, with the help of a German management team, alongside their single "Complication" backed with "Oh, How to Do Now". However, the album and additional singles issued throughout 1966 and 1967 achieved limited success which led to the group disbanding.

During the 1990s to early 2000s, the band acquired a cult following as a result of newfound interest in Black Monk Time. They were subsequently featured on several compilation albums, most notably the 1998 expanded version of Nuggets. This resurgence was followed by all five of the original band members holding a reunion concert at the Cavestomp festival in New York City on November 5, 1999, which was followed by sporadic touring in the 2000s. They have been cited as an influence by notable artists such as Jello Biafra, Jay Reatard, Mark E. Smith, Lenny Kaye, Krist Novoselic, Ira Kaplan, Jack White, Jon Spencer, Iggy Pop, and the Beastie Boys.

Musical style

According to Stephen M. Deusner of Paste Magazine: "The Monks were all rhythm section, with every instrument clicking into a tense lockstep punctuated by Gary Burger’s wild-man yelps and Dave Day’s electrified banjo—an instrument as distinct as the Thirteenth Floor Elevators’ electric jug. In their lusty frivolity, The Monks find a measure of gravity and outrage." Their style was self-described as "Über-beat". In 2011, bassist Eddie Shaw underlined their musical process in an interview:

To develop something new we developed a process known as deconstructing and reconstructing, laying down bass and drum patterns to be added to, by the other instruments. We made best use of each individual’s tendencies and abilities. In fact we made it very minimalist – single loud/distorted bass notes on the beat – drums with no cymbals except for accents – banjo rock and roll chords because it was a hard trashy sound – guitar, using the feedback – and organ playing beats and wild solos. All instruments were played as rhythm instruments.

The Guardian cited the minimal drumming style of the album as a precursor to krautrock, noting an early form of the "motorik" beat in Roger Johnston's performance, which was described as "tightly wound playing".

History

Beginnings (1963–1964)

The nucleus of the Monks formed in late 1963, when American G.I.s Gary Burger (lead guitar, vocals), Larry Clark (organ), Eddie Shaw (bass guitar), and Dave Day (rhythm guitar), along with a West German civilian identified simply as Hans (drums) came together as a quintet known as the Torquays, a name inspired by Burger's admiration for the Fireballs' instrumental "Torquay". Burger and Day had previously spent time together informally performing as an on-duty musical duo called the Rhythm Rockers, which soon recruited Clark and Hans to bolster their sound. Soon after, Shaw auditioned for the band and was reluctantly accepted by Burger. Shaw, a jazz musician by trade, was recruited largely because the band urgently needed a bass guitarist rather than for his limited experience with the instrument. The band first performed at military hangouts near their outpost in Gelnhausen, Hesse, playing a combination of American rock and roll standards from the 1950s and some original songs penned by Burger and Day to rowdy crowds and servicemen.