
Cracked Rear View (1994)
曲目
- 1Hannah Jane3:34
- 2Hold My Hand4:16
- 3Let Her Cry5:08
- 4Only Wanna Be With You3:47
- 5Running From an Angel3:38
- 6I’m Goin’ Home4:11
- 7Drowning5:02
- 8Time4:54
- 9Look Away2:38
- 10Not Even the Trees4:37
- 11Goodbye4:06
- 12Sometimes I Feel Like a Motherless Child0:54
12 首 · 约 47 分钟 · 依据 1994-07-05 US 发行的版本,在 MusicBrainz 看这个版本。
介绍
这个词条没有中文维基百科条目,下面是英文维基百科的原文。
Cracked Rear View is the debut studio album by Hootie & the Blowfish, released on July 5, 1994, by Atlantic Records. Released to positive critical reviews, it eventually became one of the highest-selling albums in the United States, and also one of the best-selling albums worldwide, with over 20 million units.
Recording, release, and promotion
Hootie and the Blowfish were established in 1986 and while they had recorded some self-released promos, such as 1993's Kootchypop EP, this was their first full-length release. Some of the songs on Cracked Rear View had been previously recorded on these demos and had been honed by the band in live performances for several years. Don Gehman was chosen by A&R man Tim Sommer as a producer because of his previous work with John Mellencamp and R.E.M. Gehman's career had been in commercial decline for several years after having had successes in the 1980s, so he pivoted to accepting lower-profile artists, smaller budgets, and being more efficient in the studio to cut costs. It cost US$200,000 to make and the label invested a relatively moderate $75,000 to Gehman for producing (equivalent to $434,441 in 2025 and $162,915, respectively). The recording and mixing process took 28 days, made up of 20 days of recording and 8 mixing; he kept costs down by mixing the album himself and providing his own equipment for the band to use. In 1996, Gehman reflected on the expectations of the release, stating that no one at Atlantic Records expected it to be a blockbuster, but possibly selling a few hundred thousand copies to establish the band an audience building on their existing South Carolina fan base; as sales took off, the label became more invested and the promotion caused sales to continue to grow. Gehman later produced and mixed Fairweather Johnson (1996), Musical Chairs (1998), and Looking for Lucky (2005) by the band.
The album was promoted by a string of music videos, singles, and promotional tour appearances. Hootie & the Blowfish had been performing approximately 300 shows a year at this point and continued touring throughout the mid-1990s to support Cracked Rear View, including high-profile television appearances, including three episodes of Late Show with David Letterman, and benefit concerts such as FarmAid. Atlantic successfully piloted a promotional strategy using low-power radio stations that targeted specific regional markets to promote Cracked Rear View and they expanded this project based on the strong sales of this album. Regular airplay on VH-1 also helped to grow the audience for this album.
Reception
Commercial reception
Cracked Rear View is Hootie & the Blowfish's most successful album. While initial sales were modest and it debuted at 127 on the Billboard 200, it topped that chart five times in 1995 and was the best-selling album of 1995 in the United States, selling 7 million copies, besting the second-place Crazysexycool by 2.2 million. This won the 1995 Billboard Music Award for Top Billboard 200 Album. Sales were strong enough that Hootie & the Blowfish were the best-selling group of 1996 in adult contemporary and pop music as well, between this album and follow-up Fairweather Johnson and in April of that year, Time reported that Cracked Rear View had generated over US$100 million in gross revenues for Atlantic Records (equivalent to $205,283,259 in 2025). Both of the band's first two efforts were in the top 20 albums of 1996; Cracked Rear View was 20th, selling 1.9 million copies. In 1995 to 1996, Cracked Rear View sold more than 100,000 copies per week for 40 weeks. This was during an industry-wide trend of depressed sales in both the United States and Canada.
The album moved 10 million certified sales by October 1995, reaching 12 million by February 1996, which made it the fifth-best selling debut album and this increased by another million sales by June, reaching fourth place. A 1999 assessment that it had sold 16 million copies made it the most copies of a debut album sold. It had sold 10.2 million copies in the United States per Nielsen SoundScan by 2012, with an additional 3 million copies sold through CD clubs, which are not included in SoundScan's total. It is the joint 19th-best-selling album of all time in the United States, rising to 10th place if one excludes compilations. Internationally, Cracked Rear View reached number one in Canada, where it was also the best-selling album of the year at over 800,000 units and also topped charts in New Zealand. In 1999, it was one of the 62 inaugural diamond certifications by the Recording Industry Association of America, placing at 16 with 15 million sales and was certified 22× platinum (double diamond) by 2018. Alongside Led Zeppelin's fourth album, it is the best-selling release on Atlantic and is the album with the fourth-most weeks topping the Billboard 200 from the label.
正文摘自英文维基百科「Cracked Rear View」,按 CC BY-SA 4.0 使用;删去了参考文献、外部链接、表格和图片;篇幅所限只节选了前面一部分,全文见原条目。
资料卡
- 作品性质
- 音乐专辑
- 表演者
- 混混与自大狂
- 发行日期
- 1994 年
- 时长
- 43 分 03 秒
- 流派
- 另类摇滚、根源摇滚
- 语言
- 英语
- 唱片公司
- 大西洋唱片
- 制作人
- Don Gehman
- 上一部
- Kootchypop
- 下一部
- Fairweather Johnson
资料来自 Wikidata Q3001961(CC0)。
制作名单
- 厂牌
- Atlantic(目录号 82613-2)
- 录音室
- 混音:Scream Studios(Studio City);录音:NRG Recording Studios(North Hollywood)
制作
- 母带处理
- Eddy Schreyer
- 工程师
- Don Gehman
- 助理工程师
- Wade Norton
- 混音
- Don Gehman
- 助理混音
- Liz Sroka
- 制作人
- Don Gehman
演奏与演唱
- 打击乐
- Mark Bryan(其中 11 首)、达柳斯·洛克(其中 11 首)、Jim Sonefeld(第 10 首)
- 原声吉他
- Mark Bryan(其中 11 首)、达柳斯·洛克(其中 11 首)
- 电吉他
- Mark Bryan(其中 11 首)
- 克拉维琴
- Dean Felber(其中 11 首)
- 贝斯
- Dean Felber(其中 11 首)
- 鼓
- Jim Sonefeld(其中 11 首)
- 演唱
- Mark Bryan(其中 11 首)、Dean Felber(其中 11 首)、Jim Sonefeld(其中 11 首)
- 和声
- 大卫·克罗斯比(第 1、2 首)
- 小提琴
- Lili Haydn(第 5、9 首)
- 钢琴
- Jim Sonefeld(第 9、11 首)、Dean Felber(第 4 首)、John Nau(第 6 首)、Mark Bryan(第 10 首)
- 曼陀林
- Mark Bryan(第 4 首)
- 哈蒙德风琴
- John Nau(第 6 首)
- 玻璃琴
- Jim Sonefeld(第 10 首)
词曲与编曲
- 词曲
- Mark Bryan(其中 11 首)、Dean Felber(其中 11 首)、达柳斯·洛克(其中 11 首)、Jim Sonefeld(其中 11 首)、[traditional](第 12 首)
- 编曲
- 范·莫里森(第 12 首)
包装与设计
- 美术指导
- Jean Cronin
- 摄影
- Michael McLaughlin
名单来自 MusicBrainz(CC0)这一发行版本的关系数据,由志愿者录入,不一定齐全。
更多资料与乐评
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