曲目
- 1The Golden Age4:36
- 2Paper Tiger4:35
- 3Guess I’m Doing Fine4:49
- 4Lonesome Tears5:38
- 5Lost Cause3:48
- 6End of the Day5:02
- 7It’s All in Your Mind3:06
- 8Round the Bend5:15
- 9Already Dead2:59
- 10Sunday Sun4:44
- 11Little One4:27
- 12Side of the Road3:23
12 首 · 约 52 分钟 · 依据 2002-09-24 XW 发行的版本,在 MusicBrainz 看这个版本。
介绍
这个词条没有中文维基百科条目,下面是英文维基百科的原文。
Sea Change is the eighth studio album by American musician Beck, released on September 24, 2002, by Geffen Records. Recorded over a two-month period in Los Angeles with producer Nigel Godrich, the album features themes of heartbreak and desolation, solitude, and loneliness. For the album, much of Beck's trademark cryptic and ironic lyrics were replaced by simpler, more sincere lyrics. He also eschewed the heavy sampling of his previous albums for live instrumentation. Beck cited the breakup with his longtime girlfriend as the major influence on the album.
Sea Change peaked at number 8 on the Billboard 200, later being certified gold in 2005 by the RIAA. It was met with favorable responses from critics, who considered Beck's transition from eccentric, sonically experimental work to emotional balladry to be successful and convincing. The album later appeared in many publications' lists of the best albums of the 2000s, and it remains one of Beck's best-reviewed recordings.
In 2014, Beck released the album Morning Phase, described in a press release as a "companion piece" to Sea Change, featuring the same personnel who performed on it with the exception of Godrich.
"Lost Cause" and "Guess I'm Doing Fine" were released as promotional-only singles.
Background
Following Beck's tour for his Midnite Vultures album, Beck and his fiancée, stylist Leigh Limon, ended their nine-year relationship. Three weeks before Beck's 30th birthday, he was told Limon had allegedly been having an affair with a member of Los Angeles band Whiskey Biscuit. Limon denied the allegation but was convinced to sign contracts that dissolved her relationship with Beck in the presence of Sea Org members from the Church of Scientology. Beck lapsed into a period of melancholy and introspection, during which he wrote the bleak, acoustic-based tracks on Sea Change. He wrote most of the album's 12 songs in one week, but shelved them. "Songs sit in my head for a while," he told Time in 2002. "I have dozens in there, songs from eight years ago that I've written but never recorded. After a while, I just sort of decide to record them." Beck had also strayed from the songs to keep from talking about his personal life, as well as to focus on music and "not really strew my baggage across the public lobby." Eventually, however, he found the songs speak to an experience (a relationship breakup) that is common, and that it would not seem self-indulgent to record them. In 2001, Beck drifted back to the songs and reteamed with his producer for Mutations, Nigel Godrich.
Beck intended to record the album in late 2001, but due to the September 11 attacks, "it took a while for people to line up." Before working with Godrich, Beck recorded tracks with Dan "The Automator" Nakamura in January 2002 in preparation for the new record, but no songs from those sessions were used for Sea Change. Many songs, such as "Lost Cause", were performed live prior to the album's recording. Another new song, "Evil Things", was also performed and demoed but ultimately not recorded for the album, due to loss of time. Regarding the performances of more personal tracks in the days before Sea Change, Beck explained in a 2008 interview that "Those were the kinds of songs I would play in the middle of the show. I'd try to throw a couple of them in. I just remember the audience kind of disregarding them, or moshing, or throwing things. Just because those were the kinds of persons that came out."
Recording and production
Beck and his group of musicians entered the studio with intentions to make the record an acoustic-based offering, in the vein of those for his emotive 1998 disc Mutations. Early in the recording process, Beck told Godrich that he was hoping to record one track per day, similar to the process of Mutations. However, each song ended up taking at least two days to record, due to orchestral arrangements. Musical partners in the studio included drummer James Gadson, and guitarist Jason Falkner, as well as longtime musical partners, keyboardist Roger Joseph Manning Jr., bassist Justin Meldal-Johnsen, drummer Joey Waronker, guitarist Smokey Hormel, and cellist Suzie Katayama. In addition, Beck's father, David Campbell, provided string arrangements. Joey Waronker left mid-way through recording for Hawaii; James Gadson filled in for him the remaining days.
Recording began as soon as the band entered Ocean Way Studios in Los Angeles on March 6, 2002. Much of Sea Change was recorded live, with extra effects (including bells and strings) added later. In order to capture the immediacy of the material, the artists worked quickly and spontaneously, frequently laying second takes of songs to disc. During production, Beck realized his singing voice had gotten significantly deeper. "Before we recorded," said Godrich, "We listened to Mutations, and his voice sounded like Mickey Mouse. His range has dropped. Now when he opens his mouth, a canyonesque vibration comes out. It's quite remarkable. He has amazing tone."
正文摘自英文维基百科「Sea Change (album)」,按 CC BY-SA 4.0 使用;删去了参考文献、外部链接、表格和图片;篇幅所限只节选了前面一部分,全文见原条目。
资料卡
- 作品性质
- 音乐专辑
- 表演者
- 贝克
- 发行日期
- 2002 年 9 月 24 日
- 流派
- 另类摇滚、民谣摇滚、独立摇滚、低传真音乐
- 语言
- 英语
- 唱片公司
- 格芬唱片
- 制作人
- 奈杰尔·古德里奇
资料来自 Wikidata Q590851(CC0)。
制作名单
- 厂牌
- Interscope Records
制作
- 工程师
- Nigel Godrich
- 助理工程师
- Darrell Thorp
- 混音
- Nigel Godrich
- 制作人
- Nigel Godrich
演奏与演唱
- 演唱
- 贝克
- 鼓
- Joey Waronker(其中 7 首)、James Gadson(第 2、4、6、9 首)
- 打击乐
- Joey Waronker(其中 7 首)、Nigel Godrich(第 2 首)、贝克(第 5 首)、Smokey Hormel(第 5 首)、Roger Joseph Manning Jr.(第 5 首)、Justin Meldal‐Johnsen(第 5 首)、贾森·福克纳(第 11 首)
- 电贝斯
- Justin Meldal‐Johnsen(第 1、2、3、6、9 首)
- 和声
- 贝克(第 3、5、10、11 首)、Roger Joseph Manning Jr.(第 3、5、11 首)、Justin Meldal‐Johnsen(第 3、5、11 首)、Joey Waronker(第 3、11 首)、Smokey Hormel(第 5 首)、贾森·福克纳(第 11 首)
- 原声吉他
- 贝克(第 6、8、9、12 首)、Smokey Hormel(第 4、9 首)
- 指挥
- David Campbell(第 2、4、8 首)
- 低音提琴
- Justin Meldal‐Johnsen(第 7、8、12 首)
- 电吉他
- Smokey Hormel(第 1、3 首)、贾森·福克纳(第 2 首)、Justin Meldal‐Johnsen(第 4 首)、贝克(第 7 首)
- 键盘
- Nigel Godrich(第 4、6 首)、贝克(第 4 首)
- 滑棒吉他
- Smokey Hormel(第 6、12 首)
- 钟琴
- 贝克(第 1 首)、Roger Joseph Manning Jr.(第 1 首)、Justin Meldal‐Johnsen(第 5 首)
- 沃利策电钢琴
- Roger Joseph Manning Jr.(第 1 首)、贝克(第 7 首)
- 合成器
- Roger Joseph Manning Jr.(第 1 首)、贝克(第 3 首)
- 口琴
- 贝克(第 3 首)
- 克拉维琴
- Roger Joseph Manning Jr.(第 3 首)
- 钢琴
- Roger Joseph Manning Jr.(第 3 首)、贝克(第 10 首)、Smokey Hormel(第 10 首)、Justin Meldal‐Johnsen(第 10 首)
- 班卓琴
- 贝克(第 5 首)、Roger Joseph Manning Jr.(第 10 首)
- 大提琴
- Suzie Katayama(第 7 首)
- 其他乐器
- Smokey Hormel(第 10 首)
- 萨克斯
- Smokey Hormel(第 10 首)
- 声码器
- Smokey Hormel(第 10 首)
- bulbul tarang
- Roger Joseph Manning Jr.(第 10 首)
- 簧风琴
- Roger Joseph Manning Jr.(第 10 首)
词曲与编曲
- 作曲
- 贝克
- 作词
- 贝克
- 器乐编曲
- David Campbell(第 2、4、8 首)、贝克(第 8 首)
- 词曲
- 贝克(第 1 首)
名单来自 MusicBrainz(CC0)这一发行版本的关系数据,由志愿者录入,不一定齐全。
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