Soul Mining (1983)

Soul Mining is the debut studio album by the English post-punk and synth-pop band the The. Matt Johnson, the lead singer and songwriter behind the The, began recording the album in New York City, after a bidding war between major record labels resulted in the group signing a recording contract with CBS Records. The initial recording sessions were aborted after the album's first two singles, however, and Johnson returned to London where he wrote and recorded the rest of the record. Musically, Soul Mining is a post-punk and synth-pop album with influences of the early 1980s New York club scene, while Johnson's lyrics focus on relationship insecurities and social alienation, with imagery derived from dreams.

Soul Mining was released in the United Kingdom on 21 October 1983 on Some Bizzare Records/Epic Records and included versions of the singles "Uncertain Smile", "Perfect", and "This Is the Day". Although the album received positive reviews, its initial sales were modest, reaching number 27 in the UK and charting in a number of other countries, but in 2019 the album was certified gold in the UK. Soul Mining was reissued in June 2014 as a two-disc 30th anniversary deluxe version on vinyl, attracting retrospective reviews which universally praised the record, with critics describing it as both Johnson's best work and one of the best albums of the 1980s.

Background and initial New York recording sessions

Following the release of Burning Blue Soul (1981), Matt Johnson had started work on a follow-up, provisionally titled The Pornography of Despair. Although Burning Blue Soul had been released on the 4AD record label, the The had also released a one-off single, "Cold Spell Ahead", in 1981 on the Some Bizarre label run by Stevo, and major record labels were expressing interest in Some Bizarre's acts following the worldwide success of synth-pop duo Soft Cell.

Johnson and Stevo decided that the best way to achieve commercial success was to record a new version of "Cold Spell Ahead". Stevo verbally agreed a singles deal with London Records, and in May 1982 the label sent Johnson to New York to record the new version of the song, now retitled "Uncertain Smile", with Soft Cell's producer Mike Thorne at Mediasound Studios. The song followed Johnson's original demo, with a Roland TR-808 providing the drumbeat and Johnson and Thorne playing guitars, bass and synthesizers. While in New York, Johnson visited Manny's Music store on West 48th Street, and was fascinated by a toy xylimba that he saw there. He bought the instrument and returned to the studio with it, using it to create an intro for "Uncertain Smile". On the recommendation of a friend Thorne also brought in Crispin Cioe of the Uptown Horns to play flute and alto saxophone on the record.

When Stevo took the finished song back to London he reneged on his verbal agreement with London Records and initiated a bidding war, eventually won by CBS Records, and the The were signed to CBS's Epic imprint. The single became the The's first release on Epic, released in October 1982 and reaching number 68 on the UK singles chart. Thorne was unhappy at the underhand way in which the deal had been conducted.

Johnson and Stevo returned to New York in October 1982 to record a second song with Thorne. The track was "Perfect", which was a reworked version of a song written for The Pornography of Despair and originally titled "Screw Up Your Feelings". Johnson wanted a harmonica on the record, and Thorne suggested his friend David Johansen of the New York Dolls. However, the second session at Mediasound did not go as smoothly as the first one had. In the intervening period Johnson had gone from being unemployed to receiving a rumoured £80,000 advance from CBS. With his new-found wealth Johnson was keen to experience what New York had to offer, disappearing from the studio to explore the Lower East Side and take drugs, which left him in an unfit state to record. Johnson and Stevo also decided to make a road trip to Detroit, with Johnson saying that he had felt compelled to visit the city during the recording of "Perfect" because he felt he was being inauthentic singing the song's lyrics about down-and-outs unless he had experienced it personally, and that "although I hadn't lived there, I knew that I'd seen more than virtually any of the other bands in the charts so I had no reason to feel bad about it".

The relationship between Thorne and the visitors deteriorated as a result of Johnson and Stevo's actions, and disagreements over the songs' production. Thorne wanted to use his new Synclavier unit, but Johnson preferred the sounds of his far cheaper Omnichord. Eventually a mutual decision was made to abandon the recordings, and Johnson returned to London in November.