到汉默史密斯都没睡 (1981)

No Sleep 'til Hammersmith is the first live album by English rock band Motörhead, released in June 1981 by Bronze Records. It peaked at number one on the UK Albums Chart. It was followed by the release of the single "Motorhead" (backed with the non-album track "Over the Top") on 3 July, which peaked on the UK Singles Chart at number 6.

Background

After releasing three albums and touring for five years, Motörhead's 1980 album Ace of Spades (their first LP to be released in the United States) gave the band its first taste of major success. However, as drummer Phil "Philthy Animal" Taylor wryly notes in the documentary The Guts and the Glory:

The more famous we seemed to get, the more we were working all the time, and we just never seemed to see any money... this is how you know you're being ripped off, when they work you like dogs and hardly give you any time off, 'cause when you got a bit of time off you might start thinking about things.

In February 1981, the band released the St. Valentine's Day Massacre EP co-recorded with Girlschool, and in March headed out on a British jaunt called the "Short Sharp Pain in the Neck" tour, from which the songs on No Sleep 'til Hammersmith would be picked.

Recording

The original No Sleep 'Til Hammersmith LP includes two songs from their debut album, the title track from 1979's Bomber, five songs from 1979's Overkill, and three songs from Ace of Spades. The track "Motorhead" would be released as a single and become the band's biggest chart hit, reaching number 6 in the UK. Bar "Iron Horse/Born to Lose", which was from a 1980 show, No Sleep 'til Hammersmith was recorded at Leeds and Newcastle shows during the Short Sharp Pain in the Neck tour. The name of the tour referred to an injury sustained by Taylor when he was dropped on his head during after-show horseplay.

The title is a reference to the major London music venue the Hammersmith Odeon (now Apollo); often the last stop on the band's UK tours. But despite the name, this venue was not played on this tour, the shows being:

• 27 March 1981: West Runton Pavilion, Norfolk, England
• 28 March 1981: Queen's Hall, Leeds, England
• 29 March 1981: City Hall, Newcastle, England
• 30 March 1981: City Hall, Newcastle, England
• 3 April 1981: Maysfield Leisure Centre, Belfast, Northern Ireland

Backstage at Leeds and Newcastle, the band were presented with silver and gold records for sales of Ace of Spades, silver for Overkill and silver for "Please Don't Touch". The sound at Leeds Queens hall was not good and most of the original album is taken from Newcastle. Vocalist and bassist Lemmy stated that originally they intended No Sleep 'til Hammersmith to be a double album but they only had enough material for three sides.

It still sounds good to me… We were in the middle of a 53-show tour, so by that time we were on automatic. We were tight, and you can hear that on the record… There are mistakes on there. There are always mistakes on a live album… that's life. Life ain't perfect, and I'm no different. I think I overdubbed a couple of lines of vocals on Hammersmith, but there's no false songs.

At the time of the album's release, the band were in the middle of their first tour of North America, supporting Ozzy Osbourne. "When 'No Sleep 'Til Hammersmith' came out", Lemmy told James McNair of Mojo in 2011, "it made a difference financially, but a lot of it went back into the show."

Reception

No Sleep 'til Hammersmith is the band's peak in terms of chart positions. In the wake of the success of the St. Valentine's Day Massacre EP and Ace of Spades album and single, it entered the UK chart at number one. Lemmy believed its success was due to a building anticipation from their fan base for a live album, due to the band having toured so heavily in the past, but also considered it their "downfall" due to the difficulty in following up its success.

I was asleep in New York… Our manager rang me up and I said, "Fuck it, I'm asleep, call me later." A couple of minutes later, it [the number one] registered and I was bolt upright. We were doing well. Little did we know that the fucking damaged floorboard was just around the corner.

Jason Birchmeier of AllMusic wrote, "the performance: in a word, it's breakneck. [...] Motörhead could do no wrong at this point in time, as they were laying the foundation for the coming thrash movement, in a way, and their winning streak continues here on No Sleep 'Til Hammersmith, one of the best live metal albums of all time." In the 2011 book Overkill: The Untold Story of Motörhead, biographer Joel McIver calls it "the peak of the Lemmy/Clarke/Philthy line-up's career". Robert Christgau wrote, "Vic Maile's power-packed definition obliterates my bias against live recording. Remakes of white lies like 'No Class' and 'Stay Clean' and calling cards like 'Bomber' and 'Motorhead' save valuable shelf space. So what if it gives me a headache? Sometimes a headache comes as a relief."