Rid of Me (1993)

Rid of Me is the second studio album by the English singer-songwriter PJ Harvey, released on 26 April 1993 by Island Records, approximately one year after the release of her critically acclaimed debut studio album Dry (1992). It marked a departure from Harvey's previous songwriting, being more raw and aggressive than its predecessor.

The songs on Rid of Me were performed by Harvey's original trio, consisting of Harvey on guitar and vocals, Rob Ellis on drums and backing vocals, and Steve Vaughan on bass guitar. Most of the songs on the album were recorded by Steve Albini, and it was the last album they recorded as a trio before disbanding in late 1993. Rid of Me was met with critical acclaim, and is widely regarded as one of the greatest albums of the 1990s and of all time, ranking at number 153 on the 2020 version of Rolling Stone's 500 Greatest Albums of All Time (up from 406 on the list's previous edition).

Background and history

Harvey's first two studio albums were recorded in quick succession and their histories intertwine. In October 1991, she released her debut single "Dress". She signed a recording contract with indie record label Too Pure and relocated to London with her bandmates. Almost immediately after the single's release, she began to receive serious positive attention from music critics in both the UK and United States. This led to several major record labels vying to sign her. Harvey was initially reluctant to sign to a major label fearing she might lose artistic control of her music, but eventually decided to sign with Island Records in February 1992. A month later, Too Pure released her debut studio album Dry, containing both "Dress" and "Sheela-Na-Gig", her second single. Island would later distribute Dry under its Indigo imprint.

The band toured extensively in the UK and US to support Dry. Harvey turned down an offer to play the Lollapalooza festival in the summer of 1992, but did play the Reading Festival that August. By this time, non-stop touring had begun to take its toll on Harvey's health. She suffered from what has been described as a nervous breakdown, brought on by a number of factors including exhaustion, poor eating habits, and the break-up of a relationship. Making matters worse, Central Saint Martins College of Art and Design, where she had been accepted for study, refused to hold her place for her any longer. She left her London apartment and retreated to her native Dorset. While recuperating in October 1992, she worked on the songs that would appear on Rid of Me.

Music and lyrics

Structurally, Harvey continued to complicate her songwriting by utilising "strangely skewed time signatures and twisty song structures", resulting in songs that "tilt toward performance art".

The album's lyrics have been widely interpreted as being feminist in nature. Harvey, however, repeatedly denied a feminist agenda in her songwriting, stating "I don't even think of myself as being female half the time. When I'm writing songs I never write with gender in mind. I write about people's relationships to each other. I'm fascinated with things that might be considered repulsive or embarrassing. I like feeling unsettled, unsure." Some of the lyrics were inspired by her personal experiences. The title track, for instance, was admittedly influenced by one of Harvey's relationships coming to an end. When told by an interviewer that "Rid of Me" sounded psychotic, she replied that she wrote the song "at my illest" and added "I was almost psychotic" at the time. But, she made it clear that not all of the lyrics were to be read autobiographically, saying "I would have to be 40 and very worn out to have lived through everything I write about".

The album also includes a cover version of Bob Dylan's 1965 song "Highway 61 Revisited". Harvey's mother and father, both Dylan fans, had suggested that she record the track.

Recording

In the late fall of 1992 the trio embarked on a short US tour. When the tour concluded in December they stayed in America to record their new album at the secluded Pachyderm Recording Studios in Cannon Falls, Minnesota. Harvey chose Chicago musician and sound engineer Steve Albini to record the album. Harvey had admired Albini's distinctively raw recordings of bands like Pixies, Slint, the Breeders and the Jesus Lizard.

The recording session took place over a two-week period, but according to Harvey the bulk of the recording was done in three days. Most of the songs were played live in the studio. Harvey spoke highly of Albini's recording, stating, "He's the only person I know that can record a drum kit and it sounds like you're standing in front of a drum kit. It doesn't sound like it's gone through a recording process or it's coming out of speakers. You can feel the sound he records, and that is why I wanted to work with him, 'cause all I ever wanted is for us to be recorded and to sound like we do when we're playing together in a room".