惊奇弦乐团

The Incredible String Band (sometimes abbreviated as ISB) were a Scottish psychedelic folk band formed by Clive Palmer, Robin Williamson, and Mike Heron in Edinburgh in 1966. Following Palmer's early departure, Williamson and Heron continued as a duo and were eventually augmented by other musicians such as Licorice McKechnie, Rose Simpson, and Malcolm Le Maistre. The band split up in 1974. They reformed in 1999 and continued to perform with changing lineups until 2006.

The band built a considerable following in the British 1960s counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion (1967), The Hangman's Beautiful Daughter (1968), and Wee Tam and the Big Huge (1968). They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music.

History

Formation as a trio: 1965–66

In 1963, acoustic musicians Robin Williamson and Clive Palmer began performing together as a traditional folk duo in Edinburgh, particularly at a weekly club run by Archie Fisher in the Crown Bar, which also regularly featured Bert Jansch. There they were seen in August 1965 by Joe Boyd, then working as a talent scout for the influential folk-based label Elektra Records. Later in the year, the duo decided to fill out their sound by adding a third member, initially to play rhythm guitar. After an audition, local rock musician Mike Heron won the slot. The trio took the name "the Incredible String Band". Early in 1966, Palmer began running an all-night folk club, Clive's Incredible Folk Club, on the fourth floor of a building in Sauchiehall Street in Glasgow, where they became the house band. When Boyd returned in his new role as head of Elektra's London office, he signed them up for an album, beating off a rival bid from Transatlantic Records.

They recorded their first album, entitled The Incredible String Band, at the Sound Techniques studio in London in May 1966. It was released in Britain and the United States and consisted mostly of self-penned material in solo, duo and trio formats, showcasing their playing on a variety of instruments. It won the title of "Folk Album of the Year" in Melody Maker's annual poll, and in a 1968 Sing Out! magazine interview Bob Dylan praised the album's "October Song" as one of his favourite songs of that period, stating it was "quite good".

The trio broke up after recording the album. Palmer left via the hippie trail for Afghanistan and India, and Williamson and his girlfriend Licorice McKechnie went to Morocco with no firm plans to return. Heron stayed in Edinburgh, playing with a band called Rock Bottom and the Deadbeats. However, when Williamson returned after running out of money, laden with Moroccan instruments (including a gimbri, which was much later eaten by rats), he and Heron reformed the band as a duo.

Development as a duo: 1966–67

In November 1966 Heron and Williamson embarked on a short UK tour, supporting Tom Paxton and Judy Collins. In early 1967, they performed regularly at London clubs, including Les Cousins. Joe Boyd became the group's manager as well as producer and secured a place for them at the Newport Folk Festival, on a bill with Joni Mitchell and Leonard Cohen.

The duo were always credited as separate writers, maintaining their individual creative identities, rather than working as a writing partnership. Boyd wrote, "Mike and Robin were Clive's friends rather than each other's. Without him as a buffer, they developed a robust dislike for one another. Fortunately, the quality and quantity of their songwriting was roughly equal. Neither would agree to the inclusion of a new song by the other unless he could impose himself on it by arranging the instruments and working out all the harmonies."

In July, they released their second album, The 5000 Spirits or the Layers of the Onion, accompanied by Pentangle's Danny Thompson on double bass and Licorice McKechnie on vocals and percussion. The album demonstrated considerable musical development and a more unified ISB sound. It displayed their abilities as multi-instrumentalists and singer-songwriters, and gained them much wider acclaim. The album included Heron's "The Hedgehog's Song", Williamson's "First Girl I Loved" (later recorded by Judy Collins, Jackson Browne, Don Partridge and Wizz Jones) and his "Mad Hatter's Song", which, with its mixture of musical styles, paved the way for the band's more extended forays into psychedelia. Enthusiastic reviews in the music press were accompanied by appearances at venues such as London's UFO Club (co-owned by Boyd), the Speakeasy Club, and Queen Elizabeth Hall. Their exposure on John Peel's Perfumed Garden radio show on the pirate ship Radio London and later on BBC's Top Gear made them favourites with the emerging UK underground audience. The album went to number one in the UK folk chart, and was named by Paul McCartney as one of his favourite records of that year.