
52nd Street (1978)
滚石 500(2003) #352格莱美奖 · 年度专辑 1980
- 艺人
- 比利·乔尔
- 发行
- 1978-10-13
- 类型
- 专辑
- 唱片公司
- 哥伦比亚唱片
- 制作人
- 菲尔·拉蒙
- 版本
- MusicBrainz 上有 51 个发行版本
曲目
- A1Big Shot4:01
- A2Honesty3:50
- A3My Life4:43
- A4Zanzibar5:10
- B1Stiletto4:39
- B2Rosalinda’s Eyes4:40
- B3Half a Mile Away4:06
- B4Until the Night6:35
- B552nd Street2:27
9 首 · 约 40 分钟 · 依据 1978 US 发行的版本,在 MusicBrainz 看这个版本。
介绍
这个词条没有中文维基百科条目,下面是英文维基百科的原文。
52nd Street is the sixth studio album by the American singer-songwriter Billy Joel, released on October 11, 1978, by Columbia Records. It was the follow-up to his breakthrough studio album, The Stranger. Joel tried to give it a fresh sound, hiring various jazz musicians to differentiate it from his previous studio albums.
The album's title is a reference to 52nd Street, a popular street location in Midtown Manhattan for jazz musicians, beginning during the Great Depression and continuing through to the 1950s. Joel's label was headquartered within the CBS Building on West 52nd Street at the time of the album's release. The studio where recording took place, A&R Recording, was also on 52nd Street; the studio's freight elevator appears on the album cover.
52nd Street was an instant commercial success, becoming Joel's first album to reach number one on the Billboard 200, a spot it held for eight non-consecutive weeks. Three songs reached the Top 40 in the United States, contributing to the album's success: "My Life" (number 3), "Big Shot" (number 14), and "Honesty" (number 24). It was similarly well received by critics, earning two Grammy awards for Best Male Pop Vocal Performance and Album of the Year at the 22nd Annual Grammy Awards. The latter Grammy was presented to its producer, Phil Ramone. Upon Ramone's death, 52nd Street's Album of the Year Grammy was passed on to Joel.
The album was among the first commercially released on the compact disc format, reaching store shelves on October 1, 1982, in Japan. It was one of 50 CDs released that day by the CBS/Sony label, including The Stranger, but bore the first catalogue number in the sequence, 35DP-1, and so is frequently cited as the first to be released. In keeping with this history, it was also the first release when Sony returned to manufacturing vinyl records in 2018.
Reception
Reviewing 52nd Street for The Village Voice in 1979, Robert Christgau noted Joel's talent for writing catchy songs and likened him to Elton John, albeit with more "smarm". The Globe and Mail determined that "the music really is starting to sound repetitive and formulaic—as though the songwriter's musical vocabulary is too limited to match his sense of the big city's varied dramas."
Retrospectively, AllMusic editor Stephen Thomas Erlewine praised Joel for expanding stylistically on 1977's The Stranger, describing 52nd Street as "more sophisticated and somewhat jazzy". In 2000, it was voted number 621 in Colin Larkin's All Time Top 1000 Albums. In 2003, 52nd Street was ranked number 352 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time", and at 354 on a 2012 revised list.
Song notes
The song "Rosalinda's Eyes" was inspired by Joel's mother, Rosalind Nyman Joel.
The song "Big Shot" was inspired by a dinner with Bianca Jagger.
Personnel
The Lords of 52nd Street
- Billy Joel – vocals, piano, Yamaha CP-70, Fender Rhodes, synthesizers
- Doug Stegmeyer – bass, backing vocals
- Liberty DeVitto – drums
- Richie Cannata – saxophones, clarinet, organ
David Brown – electric guitar (3)
Russell Javors – acoustic guitar (3)
Technical
- Produced by Phil Ramone
- Engineered by Jim Boyer
- Assistant engineer – David Martone
- Production associates – Kathy Kurs and Carol Peters
Ted Jensen – mastering at Sterling Sound (New York City, NY)
- John Berg – cover design
- Jim Houghton – photography
正文摘自英文维基百科「52nd Street (album)」,按 CC BY-SA 4.0 使用;删去了参考文献、外部链接、表格和图片。
资料卡
- 作品性质
- 音乐专辑
- 表演者
- 比利·乔尔
- 发行日期
- 1979 年
- 流派
- 摇滚乐、融合爵士乐
- 语言
- 英语
- 唱片公司
- 哥伦比亚唱片
- 制作人
- 菲尔·拉蒙
资料来自 Wikidata Q242829(CC0)。
制作名单
- 厂牌
- Columbia(目录号 FC 35609)
- 录音室
- 母带:Sterling Sound(Chelsea);混音:A & R Recording(Manhattan);录音:A & R Recording(Manhattan)
制作
- 母带处理
- Ted Jensen
- 重混
- Jim Boyer、Phil Ramone
- 工程师
- Jim Boyer
- 助理工程师
- Dave Martone
- 混音
- Jim Boyer、Phil Ramone
- 制作人
- Phil Ramone
演奏与演唱
- 鼓
- Liberty DeVitto(第 A1、A3、B4 首)
- 钢琴
- 比利·乔尔(第 A1、A3、B4 首)
- 萨克斯
- Richie Cannata(第 A1、B4 首)
- 风琴
- Richie Cannata(第 B4 首)
- 单簧管
- Richie Cannata(第 B4 首)
- 贝斯
- Doug Stegmeyer(第 B4 首)
- 演唱
- 比利·乔尔(第 B4 首)
- 乐团首席
- David Nadien
- 电贝斯
- Doug Stegmeyer(第 A1、A3 首)
- 主唱
- 比利·乔尔(第 A1、A3 首)
- 马林巴
- Mike Mainieri(第 A4、B2 首)
- 颤音琴
- Mike Mainieri(第 A4、B2 首)
- 打击乐
- Ralph MacDonald(第 B2、B3 首)、David Friedman(第 B4 首)
- 电吉他
- Steven Abdul Kahn(第 A1 首)、Eric Gale(第 B3 首)、Steve Khan(第 B4 首)
- 原声吉他
- David Spinozza(第 A2 首)、Steven Abdul Kahn(第 A3 首)、Hugh McCracken(第 B2 首)、Steve Khan(第 B4 首)
- 电钢琴
- 比利·乔尔(第 A3 首)
- 和声
- 彼得·塞特拉(第 A3 首)、Donnie Dacus(第 A3 首)、Babi Floyd(第 B3 首)、Frank Floyd(第 B3 首)、Milt Grayson(第 B3 首)、Zachary Sanders(第 B3 首)、Ray Simpson(第 B3 首)、Doug Stegmeyer(第 B4 首)
- 小号
- 佛莱迪·哈伯德(第 A4 首)
- sopranino recorder
- George Marge(第 B2 首)
- 排钟
- David Friedman(第 B4 首)
- 古典吉他
- Hugh McCracken(第 B4 首)
词曲与编曲
- 作曲
- 比利·乔尔
- 作词
- 比利·乔尔
- 器乐编曲
- Robert Freedman(第 A2、B4 首)、戴夫·格鲁辛(第 B3 首)
包装与设计
- 设计
- John Berg
- 摄影
- Jim Houghton
名单来自 MusicBrainz(CC0)这一发行版本的关系数据,由志愿者录入,不一定齐全。
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