苏克西女妖

Siouxsie and the Banshees
成立 / 解散
1976 – 1996
国家/地区
英国
外文名
Siouxsie and the Banshees
流派
后朋克、哥德摇滚、另类摇滚、新浪潮
成员
女妖苏西克、史蒂芬·塞维林、虎皮鹦鹉、席德·维瑟斯、马可·皮罗尼、Peter Fenton

介绍

苏西与女妖(英语:Siouxsie and the Banshees,/ˈsuzi ænd ðə ˈbænʃiz/,SU-zi-and-the-BAN-shees)是一支于1976年由主唱苏西苏和贝斯手史蒂芬·塞维林在伦敦成立的英国摇滚乐队。乐团在同辈以及后来的音乐家们之间有着广泛的影响,《泰晤士报》更称他们为“后朋克时代最大胆、最不妥协的音乐冒险家之一”。

乐团最初从朋克音乐出发,加上吉他手约翰·麦凯和鼓手肯尼·莫里斯来创造出一种“充满大胆节奏和声音实验的不和谐后朋克风格”。乐团1978年的首张专辑《尖叫》得到评论的青睐。

他们已被视为1970年代最有影响力的摇滚乐队之一。

正文摘自中文维基百科「苏西与女妖」,按 CC BY-SA 4.0 使用;已转为简体,删去了参考文献、外部链接、表格和图片。

英文维基百科上的更多内容(英文原文,约 2,977 字符)

Siouxsie and the Banshees ( SU-zi-and-the-BAN-shees) were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bassist Steven Severin. The Times called them "one of the most audacious and uncompromising musical adventurers of the post-punk era".

With guitarist John McKay and drummer Kenny Morris, they created "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album The Scream (1978) received widespread acclaim. Following membership changes, including the addition of guitarist John McGeoch and drummer Budgie, they changed their musical direction and became one of the most successful alternative pop groups of the 1980s. Their third album Kaleidoscope (1980) peaked at number 5 on the UK Albums Chart. With Juju (1981) which also reached the top 10, they became an influence on the emerging gothic scene.

The band made a breakthrough in North America with the multifaceted album Peepshow (1988), which received critical praise. With substantial support from alternative rock radio stations, they achieved a mainstream hit in the US in 1991 with the pop single "Kiss Them for Me". Siouxsie and the Banshees' other best-known songs include "Hong Kong Garden" (1978), "Happy House" (1980), "Spellbound" (1981), "Cities in Dust" (1985) and "Peek-a-Boo" (1988). During their career, Siouxsie and the Banshees released 11 studio albums and 30 singles. The band experienced several line-up changes, with Siouxsie and Severin being the only constant members. They disbanded in 1996.

The band were post-punk pioneers. They have been widely influential, both on contemporaries and later acts. They have been cited as an influence by bands such as Joy Division, the Cure, U2, Radiohead, and singers such as Tricky and Jeff Buckley.

History

Formation (1976–1977)

Siouxsie Sioux and Steven Severin met at a Roxy Music concert in September 1975, at a time when glam rock had faded and there was nothing new coming through with which they could identify. From February 1976, Siouxsie, Severin and some friends began to follow an unsigned band, the Sex Pistols. Journalist Caroline Coon dubbed them the "Bromley Contingent", as most of them came from the Bromley area of south-east London, a label Severin came to despise. "There was no such thing, it was just a bunch of people drawn together by the way they felt and they looked". They were all inspired by the Sex Pistols and their uncompromising attitude. When they learned that one of the bands scheduled to play the 100 Club Punk Festival, organised by Sex Pistols manager Malcolm McLaren, was pulling out from the bill at the last minute, Siouxsie suggested that she and Severin play, even though they had no band name or additional members. Two days later, the pair appeared at the festival held in London on 20 September 1976. With two borrowed musicians at their side, Marco Pirroni on guitar and Sid Vicious on drums, their set consisted of a 20-minute improvisation based on "The Lord's Prayer".

这部分摘自英文维基百科「Siouxsie and the Banshees」,按 CC BY-SA 4.0 使用;删去了参考文献、外部链接、表格和图片;篇幅所限只节选了前面一部分,全文见原条目。

资料卡

成立
1976 年
成立于
伦敦
解散
1996 年
来自
英国
活跃起始
1976 年
活跃结束
1996 年
流派
后朋克、哥德摇滚、另类摇滚、新浪潮
唱片公司
宝丽多唱片公司、圣域唱片、格芬唱片
成员
女妖苏西克、史蒂芬·塞维林、虎皮鹦鹉、席德·维瑟斯(1976–1976)、马可·皮罗尼(1976–1976)、Peter Fenton(1977)
官方网站
siouxsieandthebanshees.co.uk

资料来自 Wikidata Q323834(CC0)。

榜单和奖项里的专辑(2)

曲库里的其他专辑(13)

完整作品表见 MusicBrainz。

EP、单曲和其他(21)

风格、年代相近的艺人

在哪听

中国大陆

点下面的平台会直接在平台里搜,有没有版权、能不能听以平台为准。

海外

海外平台在大陆可能打不开。

资料来源