雷·库德

Ryland Peter Cooder (born March 15, 1947) is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.

Cooder's solo work draws upon many genres. He has played with John Lee Hooker, Captain Beefheart, Taj Mahal, Gordon Lightfoot, Ali Farka Touré, Eric Clapton, the Rolling Stones, Van Morrison, Neil Young, Randy Newman, Linda Ronstadt, Vishwa Mohan Bhatt, David Lindley, the Chieftains, Warren Zevon, Manuel Galbán, the Doobie Brothers, Little Feat, and Carla Olson and the Textones (on record and film). He formed the band Little Village in 1991. He produced the album Buena Vista Social Club (1997), featuring traditional musicians in Cuba, which became a worldwide hit. Wim Wenders directed the documentary film of the same name (1999), which was nominated for an Academy Award in 2000.

Cooder was ranked at No. 8 on Rolling Stone magazine's 2003 list of "The 100 Greatest Guitarists of All Time", while a 2010 list by Gibson Guitar Corporation placed him at No. 32. In 2011, he published a collection of short stories called Los Angeles Stories.

Early life

Ryland Peter Cooder was born in Los Angeles, California, on March 15, 1947, the son of Emma (née Casaroli) and Bill Cooder. His mother's family emigrated from Parma, Italy.

He was raised in Santa Monica, California, and graduated from Santa Monica High School in 1964. During the 1960s he briefly attended Reed College in Portland, Oregon. He began playing the guitar when he was three years old.

At the age of four, he accidentally stuck a knife in his left eye and has been wearing a glass eye ever since.

Career

1960s

Cooder performed as part of a pickup trio with Bill Monroe and Doc Watson, in which he played banjo. The trio was not successful but, reflecting his early exposure to the instrument, Cooder subsequently applied banjo tunings and the three finger roll to guitar.

Cooder first attracted attention playing with Captain Beefheart and his Magic Band, notably on the 1967 album Safe as Milk, after previously having worked with Taj Mahal and Ed Cassidy in the Rising Sons. At a vital "warm-up" performance at the Mt. Tamalpais Festival (June 10–11, 1967) shortly before the scheduled Monterey Pop Festival (June 16–18, 1967), the band began to play "Electricity" and Don Van Vliet froze, straightened his tie, then walked off the 10 ft (3.0 m) stage and landed on manager Bob Krasnow. He later claimed he had seen a girl in the audience turn into a fish, with bubbles coming from her mouth. This aborted any opportunity for breakthrough success at Monterey, for Cooder immediately decided he could no longer work with Van Vliet, effectively quitting both the event and the band on the spot. Cooder also played with Randy Newman, including on 12 Songs. Van Dyke Parks worked with Newman and Cooder during the 1960s. Parks arranged Cooder's "One Meatball", according to Parks' 1984 interview with Bob Claster.

Cooder was a session musician on various recording sessions with the Rolling Stones in 1968 and 1969, and his contributions appear on the albums Let It Bleed (Yank Rachell-style mandolin on "Love in Vain"), and Sticky Fingers, on which he contributed the slide guitar on "Sister Morphine". During this period, Cooder joined with Mick Jagger, Charlie Watts, Bill Wyman, and longtime Rolling Stones sideman Nicky Hopkins to record Jamming with Edward!. Cooder also played slide guitar for the 1970 film soundtrack Performance, which contained Jagger's first solo single, "Memo from Turner". The 1975 compilation album Metamorphosis features an uncredited Cooder contribution to Bill Wyman's "Downtown Suzie".

Cooder also collaborated with Lowell George of Little Feat, playing bottleneck guitar on the original version of "Willin'". He also played bottleneck guitar and mandolin on two tracks on the Gordon Lightfoot album Sit Down Young Stranger (later re-titled If You Could Read My Mind), recorded in late 1969 and released in early 1970.