John Martyn

Iain David McGeachy (11 September 1948 – 29 January 2009), known professionally as John Martyn, was a British singer-songwriter and guitarist. Over a 40-year career, he released 23 studio albums and received frequent critical acclaim. The Times described him as "an electrifying guitarist and singer whose music blurred the boundaries between folk, jazz, rock and blues".

Martyn began his career at age 17 as a key member of the Scottish folk music scene, drawing inspiration from American blues and English traditional music, and signed with Island Records. By the 1970s he had begun incorporating jazz and rock into his sound on albums such as Solid Air (1973) and One World (1977), as well as experimenting with guitar effects and tape delay machines like the Echoplex. Domestic and substance abuse problems marked his personal life throughout the 1970s and 1980s, though he continued to release albums while collaborating with figures such as Phil Collins and Lee "Scratch" Perry. He remained active until his death in 2009.

Early life and education

Martyn was born Iain David McGeachy at Beechcroft Avenue, New Malden, Surrey on 11 September 1948, to Belgian-Jewish mother Beatrice "Betty" Ethel (née Jewitt) and Greenock-born Scottish father Thomas Paterson "Tommy" McGeachy. His parents, both opera singers, divorced when he was five and he spent his childhood alternating between Scotland and England. Most of this time was spent in the care of his father and grandmother, Janet, in Shawlands, Glasgow, part of his holidays each year spent on his mother's houseboat. He adapted his accent depending on context or company, changing between broad or refined Glaswegian and southern English accents, and continued to do so throughout his life. He attended Shawlands Academy in Glasgow. At school, he was a keen rugby player. On leaving school he attended Glasgow School of Art, but left to pursue his musical aspirations.

Career

1960s and 1970s

Mentored by Hamish Imlach, Martyn began his professional musical career when he was 17, playing a fusion of blues and folk resulting in a distinctive style which made him a key figure in the British folk scene during the mid-1960s. He signed to Chris Blackwell's Island Records in 1967 and released his first album, London Conversation, the same year. Released in 1968, his second album, The Tumbler, was moving towards jazz.

By 1970 Martyn had developed a wholly original and idiosyncratic sound: acoustic guitar run through a fuzzbox, phase shifter and Echoplex. This sound was first apparent on Stormbringer!, released in February 1970.

Stormbringer! was written and performed by Martyn and his then-wife Beverley Martyn, who had previously recorded solo as Beverley Kutner. Their second duo album, The Road to Ruin, was released in November 1970. Island Records felt that it would be more successful to market Martyn as a solo act and this was how subsequent albums were produced, although Beverley continued to make appearances as a backing singer as well as continuing as a solo artist herself.

Released in 1971, Bless the Weather was Martyn's third solo album. In February 1973, Martyn released the album Solid Air, the title song a tribute to the singer-songwriter Nick Drake, a close friend and label-mate who would die in 1974 from an overdose of antidepressants.

In 2009, a double CD Deluxe edition of Solid Air was released featuring unreleased songs and out-takes, and sleeve notes by Record Collector's Daryl Easlea. On Bless the Weather and on Solid Air Martyn collaborated with jazz bassist Danny Thompson, with whom he proceeded to have a musical partnership which continued until his death.

Following the commercial success of Solid Air, later on in 1973 Martyn quickly recorded and released the experimental Inside Out, an album with emphasis placed on feel and improvisation rather than song structure. In 1975, he followed this with Sunday's Child, a more song-based collection that includes "My Baby Girl" and "Spencer the Rover", which are references to his young family. Martyn subsequently described this period as 'very happy'. In September 1975, he released a live album, Live at Leeds — Martyn had been unable to persuade Island to release the record, and resorted to selling individually signed copies by mail from his home in Hastings. Live at Leeds features Danny Thompson and drummer John Stevens. In 2010, a 2CD Deluxe version of Live at Leeds was released, and it was discovered that not all of the songs on the original album were from the Leeds concert. After releasing Live at Leeds, Martyn took a sabbatical, including a visit to Jamaica, spending time with reggae producer Lee "Scratch" Perry.