Father and Son (1970)

"Father and Son" is a popular song written and performed by English singer-songwriter Cat Stevens (now known as Yusuf/Cat Stevens) on his 1970 album Tea for the Tillerman. The song frames a heartbreaking exchange between a father not understanding a son's desire to break away and shape a new life, and the son who cannot really explain himself but knows that it is time for him to seek his own destiny.

Stevens sings in a deeper register for the father's lines, while using a higher one for those of the son. Additionally, there are backing vocals provided by Stevens' guitarist and friend Alun Davies beginning mid-song, singing an unusual chorus of simple refrains.

In 2021, it was listed at No. 408 on Rolling Stone's "Top 500 Best Songs of All Time".

Origins

Cat Stevens originally wrote "Father and Son" as part of a proposed musical project starring Nigel Hawthorne, called Revolussia, that was set during the Russian Revolution, and could also have become a film; the song was about a boy who wanted to join the revolution against the wishes of his conservative farmer father. The musical project faded away when Stevens contracted tuberculosis in 1969. He was close to death at the time of his admittance to the King Edward VII Hospital, Midhurst, West Sussex. After a year-long period of convalescence in the hospital and a collapsed lung, the project was shelved, but "Father and Son" remained, now in a broader context that reflected not just the societal conflict of Stevens' time, but also captured the impulses of older and younger generations in general.

"Father and Son" received substantial airplay on progressive rock and album-oriented rock radio formats, and played a key role in establishing Stevens as a new voice worthy of attention. In 1970, it was only put on the B-side of Stevens' single "Moon Shadow" (Island Records).

Interviewed soon after the release of "Father and Son", Stevens was asked if the song was autobiographical. Responding to the interviewer from Disc, he said, "I've never really understood my father, but he always let me do whatever I wanted—he let me go. 'Father And Son' is for those people who can't break loose."

Speaking to Rolling Stone in 1973, Stevens has said he was aware that "Father and Son" and several other songs mean a great deal to a large number of fans.

"Some people think that I was taking the son's side," its composer explained. "But how could I have sung the father's side if I couldn't have understood it, too? I was listening to that song recently and I heard one line and realized that that was my father's father's father's father's father's father's father's father speaking."

By 2007, Stevens (then known as Yusuf Islam) recorded the song again in "Yusuf's Cafe Sessions" of 2007 on DVD again with Alun Davies, and a small band playing acoustic instruments. The performance was presented in a video with two close camera shots of his wife and daughter, holding his infant grandchild.

In 2020, Stevens released a re-recorded version of "Father and Son". This version, which appears on Tea for the Tillerman 2, features the original recording of Stevens' vocals (at the age of 22) alongside the present-day voice of Stevens (age 72). The animated music video of "Father and Son" also pays homage to the original release by featuring video clips from the 1970 music video released 50 years earlier.

Flaming Lips lawsuit

The American rock band the Flaming Lips released a song titled "Fight Test" on their 2002 album Yoshimi Battles the Pink Robots. "Fight Test" was thought to be so musically similar to "Father and Son" that it resulted in a lawsuit. Sony/ATV Music Publishing, representing Yusuf Islam, and EMI Music Publishing, representing the Flaming Lips, agreed to divide the royalties for "Fight Test" equally between the two parties following a relatively uncontentious settlement. Flaming Lips frontman Wayne Coyne claims that he was unaware of the songs' similarities until producer Dave Fridmann pointed them out.

In an interview with The Guardian, frontman Wayne Coyne stated:

I want to go on record for the first time and say that I really apologise for the whole thing. I really love Cat Stevens. I truly respect him as a great singer-songwriter. And now he wants his money. There was a time during the recording when we said, this has a similarity to 'Father and Son'. Then we purposefully changed those bits. But I do regret not contacting his record company and asking their opinion. Maybe we could have gone 50–50. As it is, Cat Stevens is now getting 75 percent of royalties from 'Fight Test'. We could easily have changed the melody but we didn't. I am really sorry that Cat Stevens thinks I'm purposefully plagiarising his work. I am ashamed. There is obviously a fine line between being inspired and stealing. But if anyone wanted to borrow part of a Flaming Lips song, I don't think I'd bother pursuing it. I've got better things to do. Anyway, Cat Stevens is never going to make much money out of us.