Julian Cope

Julian David Cope (born 21 October 1957) is an English musician and author. He was the singer and songwriter in Liverpool post-punk band the Teardrop Explodes and has followed a solo career since 1983 in addition to working on musical side projects such as Queen Elizabeth, Brain Donor, and Black Sheep.

Cope is an author on Neolithic culture, publishing The Modern Antiquarian in 1998, and a political and cultural activist with a public interest in occultism and paganism. He has written two volumes of autobiography, Head-On (1994) and Repossessed (1999); two volumes of archaeology, The Modern Antiquarian (1998) and The Megalithic European (2004); and three volumes of musicology, Krautrocksampler (1995), Japrocksampler (2007); and Copendium: A Guide to the Musical Underground (2012).

Early life and career

Cope was born in Deri, Glamorgan, Wales, where his mother's parents lived, while she was staying there. His family resided in Tamworth, Staffordshire. Cope was staying with his grandmother near Aberfan on his ninth birthday, the day of the Aberfan disaster of 1966, which he has described as a key event of his childhood.

Cope grew up in Tamworth with his parents and his younger brother Joss. He played Oliver in Wilnecote High School's production of the musical. He attended C.F. Mott College of Education (now Liverpool John Moores University), and it was here that he first became involved in music.

1976–77: Early bands

In July 1977, Cope was one of the founders of the Crucial Three, a Liverpool punk rock band in which he played bass guitar. Although the Crucial Three lasted for little more than six weeks and disbanded without playing in public, all three members went on to lead successful Liverpool post-punk bands—singer Ian McCulloch with Echo & the Bunnymen and guitarist Pete Wylie with the Mighty Wah! Post-Crucial Three, Cope and McCulloch initially continued together in forming two other short-lived bands, UH? and A Shallow Madness (Cope had also spent time with Wylie in another short-lived band, Nova Mob). When Cope sacked McCulloch from A Shallow Madness, McCulloch went on to form Echo & the Bunnymen. The two former bandmates maintained a frequently antagonistic rivalry from then on, often carried out in public or in the press.

In late 1977, Cope joined the punk band the Mystery Girls with Pete Wylie, Pete Burns (later of Dead or Alive) and Phil Hurst. They had one performance (opening for Sham 69 at Eric's Club in Liverpool in November 1977) before disbanding.

1978–1983: The Teardrop Explodes

In 1978, Cope formed the Teardrop Explodes with drummer Gary Dwyer, organist Paul Simpson and guitarist Mick Finkler, with himself as singer, bass player and principal songwriter. Drawing on a post-punk version of West Coast pop music (which gained the nickname of "bubblegum trance"), the band became part of a wave of neo-psychedelic Liverpool bands. Cope and Dwyer (and later their manager-turned-keyboard player David Balfe, who served both as Cope's creative foil and his personal antagonist) were the only band constants; seven other members passed in and out of the line-up during the band's fractious four-year existence. Several well-received early singles (including "Sleeping Gas" and "Treason") culminated in the band's biggest hit, "Reward", which hit number 6 on the UK singles chart and took the Kilimanjaro album to number 24 on the chart. Cope's photogenic charm and wild, garrulous interview style helped keep the band in the media eye, and made him a short-lived teen idol during the band's peak.

Success brought the Teardrop Explodes attention, but no further stability. Their second album Wilder experimented with different and darker psychedelic styles, as well as delving deeper into Cope's complicated psyche: it spawned no major hits and sold relatively poorly at the time (despite being critically praised in retrospect). Excessive drug use plus continued infighting undermined the band, and a final lineup of Cope, Dwyer and Balfe split apart in 1982 after failed attempts to record a third album and a final disastrous tour.

Despite the relatively short life of the band, the Teardrop Explodes has continued to sustain interest and praise since its demise and the band's back catalogue of recordings has been reissued several times over the last 30 years. Cope, however, has strenuously resisted taking advantage of any nostalgic and commercial opportunities to reunite the band.