宠物之声 (1966)

Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was produced, arranged, and primarily composed by Brian Wilson with guest lyricist Tony Asher. Recorded largely between January and April 1966, it furthered the orchestral sound introduced in The Beach Boys Today! (1965). Seeking to expand Phil Spector's Wall of Sound technique and surpass the Beatles' Rubber Soul (1965), Wilson's orchestrations blended pop, jazz, exotica, classical, and avant-garde elements, combining rock instrumentation with layered vocal harmonies, found sounds, and instruments not normally associated with rock. It was their first album in which studio musicians, such as the Wrecking Crew, largely replaced the band on their instruments, and the first in which any rock group abandoned the small-ensemble format for an entire album. Its unprecedented total production cost exceeded $70,000 (equivalent to $690,000 in 2025).

An early rock concept album, the lyrics explored introspective themes through songs like "You Still Believe in Me", about self-awareness of flaws; "I Know There's an Answer", a critique of LSD culture; and "I Just Wasn't Made for These Times", addressing social alienation. Lead single "Caroline, No" was issued as Wilson's official solo debut, followed by the group's "Sloop John B" and "Wouldn't It Be Nice". The album received a lukewarm critical response in the U.S. and peaked at number 10 on the Billboard Top LPs chart. Bolstered by band publicist Derek Taylor's promotional efforts, it was lauded by UK critics and musicians, reaching number 2 on the Record Retailer chart and remaining in the top ten for six months. A planned follow-up album, Smile, was shelved and substituted with Smiley Smile in 1967.

Pet Sounds is recognized for its ambitious production and sophisticated harmonic structures, and it is widely regarded as among the greatest and most influential albums in music history. It is credited with introducing novel orchestration techniques and structural harmonies while also revolutionizing music production through its detail and use of the studio as a compositional tool. It elevated recognition of popular music as an art form and albums as cohesive works, while contributing to synthesizer adoption and the evolution of orchestral pop, psychedelia, soft rock/sunshine pop, and progressive rock/pop. Long overshadowed by the Beatles' works, Pet Sounds initially gained limited mainstream recognition until reissues revived its prominence, leading to top placements on all-time greatest album lists by various publications. The 1997 expanded reissue, The Pet Sounds Sessions, debuted its first true stereo mix. Wilson toured performing the album in the early 2000s and late 2010s.

Background

The Beach Boys' sixth album, All Summer Long (1964), concluded their beach-themed period, and they began to alter their stylistic and lyrical direction. In January 1965, Brian Wilson, leader of the band, declared his withdrawal from touring to concentrate on songwriting and studio production. The rest of the group—Brian's brothers Carl and Dennis, cousin Mike Love, and friend Al Jardine—continued touring without him. Session musician Glen Campbell initially filled his role, followed by Bruce Johnston.