曲目
- 1First We Take Manhattan6:01
- 2Ain’t No Cure for Love4:51
- 3Everybody Knows5:36
- 4I’m Your Man4:26
- 5Take This Waltz6:00
- 6Jazz Police3:54
- 7I Can’t Forget4:32
- 8Tower of Song5:38
8 首 · 约 41 分钟 · 依据 1988 US 发行的版本,在 MusicBrainz 看这个版本。
介绍
这个词条没有中文维基百科条目,下面是英文维基百科的原文。
I'm Your Man is the eighth studio album by Canadian singer-songwriter Leonard Cohen, released on February 2, 1988, by Columbia Records. The album marked Cohen's further move to a more modern sound, with many songs having a synthesizer-oriented production. It soon became the most successful studio album which Cohen had released in the US, and it reached number one in several European countries, transforming Cohen into a best-selling artist.
Recording
I'm Your Man was recorded in Los Angeles, Montreal and Paris, and while it was the first studio album where Cohen took sole credit for the production, three contributing producers participated: Roscoe Beck, Jean-Michel Reusser and Michel Robidoux. The LP would give Cohen an updated, contemporary 80s sound, featuring songs composed primarily on keyboards and delivered in Cohen's increasingly gravelly rasp. Cohen's sound had started to evolve on his last studio album Various Positions (1984) but it is more fully realized on this album. Fellow Montrealer, Jeff Fisher, contributed his driving keyboard arrangements, playing all the music on "First We Take Manhattan" and "Jazz Police", and arranging and playing on "There Ain't No Cure for Love". Cohen's collaboration with Fisher, who delivered a "cinematic" feel reminiscent of Ennio Morricone, "convinced Cohen the album was possible". In his book Leonard Cohen: A Remarkable Life (2010), biographer Anthony Reynolds observes, "...in almost every respect I'm Your Man marked not so much a progression but an evolutionary leap forward...Cohen's new musical canvas was rich and wide, with its bold and bald use of sequencers, drum machines, synclavier and synths all mixed exotically with the lingering eastern European textures of the bouzouki, the oud, and the heart rending (old Russian school) violin." Cohen felt his singing had improved as well, telling Adrian Deevoy of Q magazine in 1991, "Sometimes I can’t stand the sound of my voice. It went through periods. The first and second records it sounded right. Then I stopped being able to find the right voice for the songs. The songs were good and the intention was good but the voice wasn’t really up to it. I lost it for a while. When I did Various Positions it was coming back and when I got to I’m Your Man I was in full stride." In 1997, he reiterated to Nigel Williamson of Uncut, "On I'm Your Man, my voice had settled and I didn't feel ambiguous about it. I could at last deliver the songs with the authority and intensity required."
Composition
The album includes some of Cohen's most popular songs and concert staples, including the single "Ain't No Cure for Love", "First We Take Manhattan", "Tower of Song", and "Everybody Knows", which was a collaboration with Cohen's backing vocalist Sharon Robinson. "Everybody Knows" is known for its somber tone and repetition of the title at the beginning of most verses. Featuring phrases such as "Everybody knows that the dice are loaded" and "Everybody knows that the good guys lost", the song has been variously described by critics as "bitterly pessimistic" yet funny, or, more strongly, a "bleak prophecy about the end of the world as we know it." The lyrics include references to AIDS, social problems, and relationship and religion issues. The album's opening track, "First We Take Manhattan" (originally called "In Old Berlin"), deals with geopolitical ideas, specifically extremism, as he explained himself in a backstage interview:
I think it means exactly what it says. It is a terrorist song. I think it's a response to terrorism. There's something about terrorism that I've always admired. The fact that there are no alibis or no compromises. That position is always very attractive. I don't like it when it's manifested on the physical plane – I don't really enjoy the terrorist activities – but Psychic Terrorism. I remember there was a great poem by Irving Layton that I once read – I'll give you a paraphrase of it – it was "Well, you guys blow up an occasional airline and kill a few children here and there," he says. But our terrorists, Jesus, Freud, Marx, Einstein. The whole world is still quaking...
正文摘自英文维基百科「I'm Your Man (Leonard Cohen album)」,按 CC BY-SA 4.0 使用;删去了参考文献、外部链接、表格和图片;篇幅所限只节选了前面一部分,全文见原条目。
资料卡
- 作品性质
- 音乐专辑
- 表演者
- 里奥纳德·科恩
- 发行日期
- 1988 年 2 月
- 时长
- 40 分 41 秒
- 流派
- 合成器流行乐
- 语言
- 英语
- 唱片公司
- 哥伦比亚唱片
- 制作人
- Michel Robidoux
资料来自 Wikidata Q946629(CC0)。
制作名单
- 厂牌
- Columbia(目录号 CK 44191)
制作
- 制作人
- 里奥纳德·科恩(其中 7 首)、Roscoe Beck(第 2、5、7 首)、Michel Robidoux(第 3、4 首)、Jean-Michel Reusser(第 5 首)
- 混音
- Leanne Ungar(其中 7 首)、Fred Echelard(第 2、3、4、6、7、8 首)、Frank Wolf(第 1、5 首)
- 录音
- François Deschamps(第 1、2、6、8 首)、Ian Terry(第 1、2、6、8 首)、Leanne Ungar(第 3、4、5、8 首)、Roger Guérin(第 3、4 首)、Kevin Beauchamp(第 5 首)、Jean-Jacques Peruchon(第 5 首)、Billy Youdelman(第 7 首)
演奏与演唱
- 主唱
- 里奥纳德·科恩
- 和声
- 珍妮弗·华安斯(第 2、3、5、7、8 首)、Anjani Thomas(第 2、4 首)、Mayel Assouly(第 5 首)、Evelyne Hebey(第 5 首)、Elisabeth Valletti(第 5 首)、Jude Johnstone(第 7 首)
- 鼓
- 温尼·克劳伊塔(第 2、6、7 首)、Tom Brechtlein(第 4 首)、Michel Robidoux(第 4 首)
- 演出
- Jeff Fisher(第 1、6 首)、里奥纳德·科恩(第 4、8 首)、Jean-Philippe Rykiel(第 5 首)
- 演唱
- Anjani Thomas(第 1、6 首)
- 键盘
- 里奥纳德·科恩(第 3、4 首)、Jeff Fisher(第 2 首)、Michel Robidoux(第 3 首)、Larry Cohen(第 7 首)
- 萨克斯
- Richard Baudet(第 2 首)
- 贝斯
- Peter Kisilenko(第 2 首)
- 吉他
- Robert Stanley(第 2 首)
- 乌德琴
- John Bilezikjian(第 3 首)
- 小提琴
- Raffi Hakopian(第 5 首)
- 打击乐
- Lenny Castro(第 7 首)
- 钢琴
- 里奥纳德·科恩(第 7 首)
- 钢棒吉他
- Sneaky Pete Kleinow(第 7 首)
词曲与编曲
- 作曲
- 里奥纳德·科恩(其中 7 首)、Jeff Fisher(第 6 首)
- 作词
- 里奥纳德·科恩(第 1、2、4、6、7、8 首)、Federico García Lorca(第 5 首)、Jeff Fisher(第 6 首)
- 编曲
- 里奥纳德·科恩(第 3、4、7、8 首)、Jeff Fisher(第 1、2、6 首)、Michel Robidoux(第 3 首)、Jean-Philippe Rykiel(第 5 首)、Roscoe Beck(第 7 首)
- 词曲
- 里奥纳德·科恩(第 3 首)、Sharon Robinson(第 3 首)
- 译词
- 里奥纳德·科恩(第 5 首)
名单来自 MusicBrainz(CC0)这一发行版本的关系数据,由志愿者录入,不一定齐全。
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