Music from Big Pink (1968)

Music from Big Pink is the debut studio album by the Canadian-American rock band the Band. Released on July 1, 1968, by Capitol Records, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The album's title refers to a house in West Saugerties, New York called "Big Pink", which was shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and keyboardist Garth Hudson and in which the album's music was partly composed. The album itself was recorded at A & R Recording in New York and Capitol Studios in Los Angeles in early 1968, and followed the band's stint backing Bob Dylan on his 1966 tour (as the Hawks) and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan. In 2000, the album was re-released with additional outtakes from the recording sessions, and in 2018, a "50th Anniversary Super Deluxe" edition was released with a new stereo mix by Bob Clearmountain.

Background and Big Pink house

The Band's members included Danko, Manuel, Hudson, guitarist Robbie Robertson and drummer/singer Levon Helm. They began to create their distinctive sound during 1967 when they improvised and recorded with Bob Dylan a huge number of cover songs and original Dylan material in the basement of a pink house in West Saugerties, New York, located at 56 Parnassus Lane (formerly 2188 Stoll Road). The house was built by Ottmar Gramms, who bought the land in 1952. The house was newly built when Rick Danko found it as a rental. Danko moved in along with Garth Hudson and Richard Manuel in February 1967. The house became known locally as "Big Pink" for its pink siding. The house was subsequently sold by Gramms in 1977, and since 1998, it has been a private residence.

Widely bootlegged at the time, initially as Great White Wonder in July 1969, some of the recordings Dylan and the Band made were officially released in 1975 on The Basement Tapes, and then in their totality in 2014 on The Bootleg Series Vol. 11: The Basement Tapes Complete. By the end of 1967, the Band felt it was time to step out of Dylan's shadow and make their own statement.

Recording

The Band's manager Albert Grossman (who was also Dylan's manager) approached Capitol Records to secure a record deal for the group still informally described as "Dylan's backing band". Alan Livingston at Capitol signed the Band, initially under the name the Crackers. Armed with news of a recording deal for the group, they lured Levon Helm back from the oil rigs where he had been working to Woodstock where he took up his crucial position in the Band, singing and playing drums. Helm's return coincided with a ferment of activity in Big Pink as the embryonic Band not only recorded with Dylan but also began to write their own songs.

After meeting with producer John Simon, the Band started to record their debut album in Manhattan at A&R Studios, at 799 7th Avenue in the early months of 1968. The Band recorded "Tears of Rage", "Chest Fever", "We Can Talk", "This Wheel's On Fire" and "The Weight" in two sessions. Robertson has said that when Simon asked them how they wanted it to sound, they replied, "Just like it did in the basement."

Capitol, pleased with the initial recording session, suggested that the group move to Los Angeles to finish recording their first album at Capitol Studios. They also cut some material at Gold Star Studios on Santa Monica Boulevard. The songs on Big Pink recorded in L.A. were "In A Station", "To Kingdom Come", "Lonesome Suzie", "Long Black Veil" and "I Shall Be Released".

Artwork

Dylan offered to sing on the album, but ultimately realized it was important for the Band to make their own statement. Instead, Dylan signified his presence by contributing a cover painting. Barney Hoskyns has written that it is significant the painting depicts six musicians. The cover of Music from Big Pink was intended to establish the group as having a different outlook from the psychedelic culture of 1968. Photographer Elliott Landy flew to Toronto to photograph the assembled Danko, Manuel, Robertson, and Hudson families on the Danko chicken farm. A photo was inserted of Diamond and Nell Helm, who lived in Arkansas. The photo appeared on the cover with the caption "Next of Kin". The overall design of the sleeve is by Milton Glaser (who also did the poster that was packed with the 1967 Bob Dylan's Greatest Hits).